Dit zijn alle films en series die David heeft gerecenseerd. Lees meer op: Fellowship of the Screen.
Aantal filmrecensies: 141 / 141
Opties
A better comparison would be First Cow: It’s a fully-formed, beautifully lensed allegory about grief and loss. It’s deliberately paced, but a strikingly efficient 92 minutes. It presents the underbelly of a world we kinda know — Portland fine dining — but with enough heightened originality to keep us on our toes. Recensie
Like in Guardians, Gunn has a lot of fun with the idea of independent chaos agents discovering their consciences when forced to work together in common cause, and it all builds to a climax that is as emotionally satisfying as it is visually thrilling. Recensie
The Green Knight is The Seventh Seal with a talking fox; The Last Temptation of Christ with Treebeard, and will be hard to beat for my favorite film of the year. Recensie
As a time capsule, Summer of Soul is exceptional; as an experience, it could have been twice as long (or a miniseries) and there would still be more music to hear and stories to tell. A gift that will never be forgotten again. Recensie
Mostly, No Sudden Move is another patented Soderbergh exercise in genre style. Solomon’s plotting is labyrinthine, meant to leave you floundering — the better to enjoy rewatching later. Recensie
It’s just a solid, well-staged, well-acted thrill ride that happens to finally give one of the original “Big 6” Avengers her due. Recensie
While the series isn’t anything revolutionary, it is engaging, well-acted, and beautifully lensed by primary cinematographer Dave Garbett. Recensie
Luca lands somewhere around the middle of the hallowed Pixar rankings, but that doesn’t necessarily mean it’s a “lesser” film. Slight, sure, but are you going to complain about a shorter run time and a story that isn’t over-plotted? Of course not. Recensie
The cast is appealing (Ramos, especially, has a casual charisma that should make him a star), the songs are dynamically orchestrated and performed, and Jon M. Chu’s direction is Big and Widescreen... Recensie
It’s a challenge to square that with Cumberbatch’s innate gravitas, but the actor delivers, especially in the wrenching final reels. Recensie
Mitchells is incredibly smart about its storytelling. Throwaway gags from the first act get revisited for maximum pathos in the third, and the conflicts between family members are totally convincing. Recensie
You can literally feel the weight of it: the strength, dignity, and millions of stories left untold over centuries of terror. Recensie
Hopkins pulls it off as only he can, with Colman’s nuanced performance matching him scene for scene. Recensie
As spectacle, Godzilla vs. Kong is wildly, mindlessly entertaining. As “cinema,” it’s… well, you know what? It is cinema. “So massive, so stupid,” but cinema. So there. Recensie
As a directorial debut for Fennell , it’s remarkable. For Mulligan, it’s the performance of a lifetime. Recensie
Collective’s ending may be downbeat realpolitik, but the story it’s telling is a vital and universal cautionary tale. It’s the best documentary of 2020. Recensie
Most of Minari’s story unfolds like that, a series of moments that slowly fill in the mosaic, ultimately revealing through triumph and heartbreak that it’s not merely what we do that matters, but what we do together. It’s a special film. See it. Recensie
When Raya goes for the jugular thematically, it connects — a great third act makes up for a lot of shortcomings, but the road there is too unsteady to put it in the studio’s top tier. Recensie
Moira Buffini’s script is nevertheless engaging enough, despite its many historical liberties. Recensie
For Nomadland, that means Zhao and her team — including an as-good-as ever McDormand, meaning she is extremely good — traveled the country in vans for months, looking for the right faces and personalities to help tell the story. The result is something wholly original, empathetic, and beautiful in its own way. Recensie
Kaluuya has demonstrated his range and intensity in Get Out and Widows, but this ought to launch him into the stratosphere — and onto the Oscar stage, if there is any justice. Recensie
His second collaboration with Hanks also yields another exceptional performance, showing a soulful vulnerability that not even Spielberg regularly asks of the actor. Yet, for all of its well-made parts, News of the World is only a solid outing, not a transcendent one. Recensie
The performances are so dynamic and the dialogue is so rich that it never feels artificial or constrained — a remarkable accomplishment for director Regina King. Recensie
Vinterberg’s script is full of deeply human moments, and the cast is uniformly outstanding. Recensie
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