Movie reviews of Hope Madden

Departing Seniors subverts every one-dimensional high school slasher cliché to deliver a startlingly empathetic and effecting thriller. Review

The film feels very much like a Dennis Paoli film and fans of his Gordon collaborations have reason to celebrate. But Suitable Flesh doesn’t entirely deliver on its promise of mayhem. It never quite leaps off that cliff the way Paoli films usually do and for that reason feels a tad tame. Review

There’s tension and some smart moments, although Night of the Hunted is still just another horror movie made by men in which the female lead has no purpose or value until she finds her maternal instinct. Review

And yet, for a wholesome (if you’re not offended by Satan), goofy good time, Onyx the Fortuitous and the Talisman of Souls is an excellent bit of fun. Review

Mami Wata is a spectacle of water and light. Raindrops on a forehead, seashells in a braid, sea spray as day turns to night – Obasi builds an otherworldly atmosphere from moments like these. Review

There’s nothing groundbreaking about 15 Cameras, but what it does, it does well. Review

In case Rugna’s 2017 treasure Terrified didn’t solidify his place among the greats working in the genre today, When Evil Lurks demands that recognition. Review

This is the strongest set of shorts in a V/H/S installment in a while. It’s fun, gory, creepy and bite sized – ideal for the season. Review

It’s not the reawakening it may want to be, but for fans of the franchise, it’s finally an installment worth watching. Review

Director Andy Palmer delivers a hodgepodge of moments from Eighties comedies, each one drawn out to a painful length. Molly Singer feels too traditionally staged, almost like a reimagining of Revenge of the Nerds, minus the homophobia and rape. Review

Harboe’s understated turn, particularly in a handful of breathtaking scenes, helps Rasmussen blisteringly articulate an everyday horror women face. Review

Dumb Money is a crowd pleaser, partly because the writing team keeps the script simple, and partly because Gillespie keeps the energy high. But mostly because it’s never not fun to see somebody stick it to the man. Review

The entire ensemble shines, but Bernal owns the screen, his ever present smile a heartbreaking and beautiful image of the resilience and determination that fueled an icon of wrestling and LGBTQ culture. Review

Elevator Game is in want of more imagination. Review

And though the animation is reason enough for an adult to give The Inventor a go, the simplistic storytelling and characterization will likely leave them cold. Review

The collection absolutely boasts some inspired talent having a blast, and when is that ever a bad thing to witness? Review

Can this excellent idea for a villain be put to good use, finally, with Michael Chaves’s sequel, The Nun II? Meh. Review

Seligman’s tone, her image of high school and high school movies, is wildly, irreverently funny and fearless. It’s hilarious, raunchy, and so much fun. Review

Astrakan is an impressive, moving slice of life that understands what turns a child into something troubling. Review

But a cast of eclectic, sometimes weirdly melancholy characters, Pegg’s angry befuddlement and Driver’s charm are almost enough to make up for it. Review

Goofiness and seriousness, the eerie and the grim, the surreal and familiar all swim the same bloody hallways, practice the same open shooter drills, and speak up at the same assemblies honoring the latest missing girl. Review

It’s not a war movie by any stretch – there’s no action to speak of – and as a political thriller, it’s a bit too plodding to keep your attention. Frustrating is what it is. Review

The context is specific to Tunisia, but the themes are universal. As greed and corruption overwhelm a city, victimizing the poor and the powerless, political protest blends with cultural grief. Simultaneously pessimistic and hopeful, grim and beautiful, Ashkal is a meditation on modern times. Review

The plot may not break new ground, but the film itself feels revolutionary. Like Nana. Review