Movie reviews of Vincent Leo

Obviously, in comparison to the other obvious jungle adventure, Raiders of the Lost Ark, this film suffers, but it is arguably a more consistent good time as that follow-up the same year, Indiana Jones and the Temple of Doom. Review

It has certainly stood up well than many sword-and-sorcery films of its era, and remains rather delightful, if you don’t mind the strains in the film’s tone from time to time, as well as the disturbing and somewhat gory moments that strain the tone toward the film’s climax. Review

Like most of the films it refers to, it’s pleasantly enjoyable, even those pleasures are consummately ephemeral. Review

There is a sense of welcome immaturity to the entire production, letting you know that it’s all in the name of fun. Review

It delivers on entertainment, albeit with a high amount of overhead, and if that’s all you expect, Temple of Doom gives you enough laughs, chills, and thrills to warrant multiple viewings, as long as you’re willing to overlook the often distasteful shock and schlock approach to adventure. Review

There’s something for everyone in this great classic: thrills, chills, action, adventure, romance and comedy, all of which is top-notch in every department, and all in one dense, exhilarating two hour experience. Review

Bright, funny, and endearing in a way that will keep adults content with the new twist on an old tale, perhaps even entertaining a percentage of adults who genuinely enjoy young adult properties that don’t have children. Review

Although not mounted with the kind of studio backing usually befitting of the genre, it looks and feels like a grandiose epic, with all of the benefits and some of the flaws that such an undertaking generally necessitates, with an alluring presentation that resonates like an unusual and striking fever dream. Review

The ensemble of actors proves to be fun, particularly in some of the child actor portrayals. Review

It’s an intriguing endeavor, but the film seems to say too much about McKay and to little about Dick Cheney to come way with much impression beyond the quality of the performances. Review

A bit like its namesake, an empty vessel that has no real value to its beholder without something of appealing substance to pour into it, and Shyamalan, despite an ample run time, doesn’t have enough juice to fill his more than halfway. Review

Though I truly enjoy the first entry in this trilogy, I’ll continue to be in the minority in feeling that the sequels aren’t as up to the story-telling and world-building standards set forth in the original. Review

That the elusive fantasy has now become reality, even if full of flaws and all, is the best thing one can say for Gilliam’s continuing to dream the impossible dream. Review

Far from a perfect comedy, and can be uneven in spots, but these momentary lapses are very difficult to remember when it’s all over. Review

A skillfully acted, handsomely presented and thoughtful work from Granik, who enriches her story with lots of detail and makes connections to draw us in without telegraphing where it is going or what the themes of the piece are. Review

At least Transformers fans will finally have a live-action film that seems to be made by people who actually enjoy their favorite toy characters and their cartoon and comic book counterparts from the 1980s... Review

Like a street musician, dancer or mime, it’s not out to change your life or awe you with artistic significance. It just wants to arrest your attention for a moment, and leave you walking away with a smile. Review

Beyond the messaging, the film features terrific actors, beautiful photography, and a powering score. Review

For the most part, Breakin’ is still worth a watch for the nostalgia value, or, at the very least, for an unintentionally campy romp. Review

As a movie about graffiti art that has been in and out of vogue over the years, it’s interesting enough, but as one of the earliest documents of the burgeoning hip-hop movement just before it broke out of its home in the Bronx, it’s absolutely vital. Review

Lots of aesthetically interesting ideas in search of meaning, constantly moving in weightless fashion but not really making much headway into something of substance worth pondering beyond it. Review

A film so dated, and so quintessentially 80s, I can’t imagine recommending it to anyone who isn’t a fan of old-school hip hop, except perhaps someone who just entertained by kitschy cheesiness. Review

The story isn’t compelling without the pretty pictures, with some slowness and bits of awkwardness in pacing that emerges from time to time, and there is a predictability to it throughout... Review

The film as a whole proved to be unpalatable to even those who were on board for the first four entries, as it is missing a good deal of the humor, the sense of campy fun, and the focus on the victims and their stories... Review