Movie reviews of Filipe Freitas

These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.

Number of movie reviews: 2054 / 2054

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Realism and caricature get locked in the same structure, and while the ballsy social commentary still holds up, the film never delivers the full-impact blow we hoped for. Review

5.0

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29 may

29 may

As merciless as it is hard-hitting, Ghost Trail offers a searing portrait of political trauma and the tangled drive for retribution. Its moral complexities, coupled with sharp storytelling and Bessa’s outstanding performance, make it compulsively watchable. Review

8.0

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27 may

27 may

Blanchett’s reliably committed performance couldn’t redeem the film, though the evocative score by Nick Cave and Warren Ellis reinforces both the emotional and the unfathomable. Review

5.0

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27 may

27 may

Bone-dry in tone, Vulcanizadora offers zero warmth, scant compassion, and weird characters. There is something profoundly unsettling about this tale of anguish, as Potrykus probes human vulnerability with a nameless, creeping unease. Review

7.0

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27 may

27 may

With just a bit more emotional depth and heightened tension, the film could have soared even higher. Still, Grand Tour exercises a powerful grip and stands as a strong recommendation. Review

8.0

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22 may

22 may

The score insightfully conveys the characters’ inner turmoil, and visually, cinematographer Juan Pablo Ramírez excels with striking black-and-white imagery and expressive camera work. Review

7.0

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19 may

19 may

While the script doesn’t always ring true, the film ultimately lands with a powerful dramatic finale. Review

5.0

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18 may

18 may

Tonally assured throughout, On Becoming a Guinea Fowl delivers a piercing, unflinching portrait of a family in desperate need of healing. Its ethos hits hard, and Nyoni deserves high praise for tackling such a difficult subject with discernment and sensitivity. Review

8.0

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11 may

11 may

It’s a methodical, disconcerting, and deceptively simplistic effort from the American filmmaker, whose restrained touch here proves unexpectedly enjoyable. Review

7.0

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4 may

4 may

The humor wears thin over time, and the film’s polished aesthetic renders some scenes overly staged. The narrative also suffers from the repetitive use of its central motif. Review

4.0

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25 april

25 apr

Although not reinventing the coming-of-age genre, Talati handles the complexities of female sexuality with remarkable nuance, and Girls Will Be Girls explores far more than the usual tropes of teenage love. Review

8.0

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24 april

24 apr

Within its narrative limitations, The Kingdom offers a one-dimensional portrayal that often feels opaque and emotionally detached. It may have a soul—but not much of a pulse. Review

6.0

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24 april

24 apr

At its best, the film effectively conveys the terror and helplessness felt by an entire population. Yet, its overall impact is underwhelming, struggling to develop a compelling narrative with its sluggish pacing. Review

5.0

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1 april

1 apr

Despite Thatcher’s committed performance and the film’s fluctuating emotional beats, Companion remains a shaky, average effort devoid of real suspense—an interesting idea bogged down by a literal-minded, mechanical, and somewhat draggy execution. Review

5.0

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31 march

31 mar

Hypnotically shot by Belgian cinematographer Tristan Galand—whose experience spans both fiction and documentary filmmaking—Souleyman’s Story is a film everyone needs to see. It serves as a powerful reminder of our shared humanity and the need for solidarity. So simple yet so genuine and captivating in all its essence. Review

9.0

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27 march

27 mar

The film reflects a dark page in Brazilian history, but because it’s too tidy and airtight, it fails to leave much of an impression by remaining in a passive state of subtlety. Review

6.0

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25 march

25 mar

At times, while carrying his love-it-or-hate-it penchant for directness, Leigh risks alienating the audience from his intent. However, he ensures that every emotional wound is laid bare with sharp clarity, granting his actors the freedom to improvise in a way that heightens the film’s authenticity. Review

7.0

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18 march

18 mar

The ensemble cast—including John Magaro, Peter Sarsgaard, Leonie Benesch, and Ben Chaplin—delivers solid performances, though no one truly stands out. Review

6.0

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16 march

16 mar

Not being an easy watch, Nickel Boys offers an impressionistic view of a tragic experience, covering predictable ground with an admirable sense of artistry and a fair dose of sincerity. Review

7.0

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14 march

14 mar

What sets A Complete Unknown apart is its deep admiration and respect for both Dylan and the artists who surrounded him. The dry, academic biography that many might have feared turned out a rich and fascinating work. Review

8.0

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14 march

14 mar

While not particularly surprising in its execution, Sing Sing maintains a genuine human tone, packed with disillusion, frustration, and hope. It’s a serious work, though one that may be challenging to engage with as pure entertainment. Review

6.0

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4 march

4 mar

Kaphar’s screenplay, not being thin, is on the verge of collapsing on several occasions, leaving emotions in an embryonic state. However, a simmering tension is maintained, and the actors ultimately hold it together. Review

6.0

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3 march

3 mar

Craig delivers an impressive performance portraying a man of self-sufficiency and excesses, but Guadagino's approach bothered me as he unoriginally tries to shape the couple’s bonding as revelatory. Review

4.0

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27 february

27 feb

The Girl With the Needle is raw, unrelenting, and unforgettable—its emotional and visual impact heightened by masterful staging and an ever-present sense of suffocating tension. Review

9.0

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25 february

25 feb

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