Movie reviews of Filipe Freitas

It’s a terrifying, grim look at war, filled with devastating post-battle scenarios, pushing-forward energy and acute tension. Review

Painful to watch, the film is permeated with angst, shallow hope, and an inner emptiness that is quite disturbing. It’s like if you, by observation of the two leads, could feel years of real misery and suffering. Review

Waves doesn't work in its entirety, but when it connects, it’s powerful and uncomfortable. Review

Opting for a non-exploitative presentation, Malick gets it right in the end, but at the expense of a lot of patience from the viewers. A Hidden Life is disconcerting both for the right and the wrong reasons. Review

This refreshingly smart take on Little Women reaches the dimensions of a new classic. It’s undoubtedly one of the greatest movies of 2019. Review

One can’t pretend that this Dolemite doesn't incorporates clichés, but we also can’t deny it’s an extremely entertaining exercise and an uplifting reference to this particular side of the African-American filmmaking culture. Review

Starring unknown actors, One Cut of the Dead is progressively enjoyable and it works, in part, because it doesn’t. After all, the whole movie is built on failure. Review

The immature A Rainy in New York drags with boring developments that only make the film look duller and duller. Even if you’re into romantic comedies, you'll find a too contrived plot, incapable to provide a satisfying experience. The sharp and glowing cinematography by Italian Vittorio Storaro seems to be one of the few things that escape banality. Review

The painter’s recollection may be bittersweet, but for us is unforgettable such is the magnetic emotional resonance of Merlant and Haenel’s performances. They are extraordinary actresses. Review

Filmed with an astute sense of aesthetic and well acted, Atlantics is never scary in its phantasmagoria, but the message… the message is too strong to ignore. Review

The process of finding a proper balance between drama, surrealism and horror was a tremendous challenge, but Lopez, even if not really exceptional in that mission, was able to create an entertaining tale, deeply unnerving in concept and featuring a few decent chills. Review

With the capacity of conquering more and more our interest as it moves forward, The Two Popes relies on outstanding performances from Anthony Hopkins as Pope Benedict XVI and Jonathan Pryce as Cardinal Jorge Bergoglio. Review

This violent, gloomy film got some deserved media attention thanks to the guts and gore, haunting atmospheres, and fine special effects. Whether this is your cup of tea or not, one must admire DeLeeuw for the mystic-induced creativity and Mortimer for the capably execution. Review

Finely calibrated in tone, the film announces the culprit way too early, and the filmmaker tries to mend faults by delivering some fast-paced moves by the end. He totally misses the humor, though. Everything is familiar yet everything is amusing in Rian Johnson’s composed puzzle. Review

Torpid dialogues, an intrusive solemn score, an unsustainable crime without repercussions, a pointless trip to Berlin with staged developments, and a rushed revival of past occurrences are all aspects that help The Good Liar sinking deeper in the mud. Playing like a stage farce, this is one of those films where even the cast loses faith in a better outcome. Review

A so-so documentary about a key figure in the fight for gender equality and women’s right. It’s sort of bland the way co-directors Julie Cohen and Betsy West conduct this presentation, but if you want to know a bit more about Justice Ruth Baden Ginsbourg, maybe this is a good place to start. Review

This is a dignified farewell to a compulsively creative artist with a keen eye to capture the things of our world and the brain to produce relevant art from many different sources. If you’re already a fan, you’ll have guaranteed good time; if not, this might impel you to start digging Varda’s world. Review

I should say that the characters are underexplored, but the fusion of gory Western a-la Jodorowsky, violent and witty thriller in the line of Tarantino, and poignant drama with a strong message of resistance to social issues, is enough to enjoy this fun ride from start to finish. Review

Mark Ruffalo brings the persistent attorney into being, but his performance, along with the rest of the cast, is colorless. Moreover, the film’s points are made obvious in an early phase, with the story dragging for an entire hour with monotonous dialogue. Although I found myself interested in the topic itself, the film fatigues in consequence of the heavy pace and lack of surprise. Review

Heller brings intense close-ups into her attentive filmmaking methods, delivering a heart-rendering tribute to a man of generosity that, although singular, struggles with a somewhat overempathetic posture varnished with a beatific gloss. Sometimes flowing like a dream, the film is perhaps too ambitious in its aims, sermonizing more than harmonizing. It’s worth seeing for the positive messages and Hanks' notable performance. Review

Emotionally, we feel we are stepping on familiar Almodovar ground, but there’s a new breeze in his storytelling and a functional plasticity in his filmmaking style that makes this film rising above any of his recent works. In the end, hope and confidence illuminate both Salvador and Almodovar, which is something to be delighted for. Review

Clocking in at three and a half hours, The Irishman feels painfully real, adding new stimulus to a crowded genre where only true experts can succeed. Scorsese and this mind-blowing cast are all about perfection. Review

Sporting that pungent emotional punch we seek to experience in a study of a decaying marriage, the film fulfilled my expectations and the audiences certainly won’t forget how heartbreaking a separation can be. Marriage Story is among the best of 2019. Review

Already stamped as one of the toughest movies of the year to watch, The Nightingale is a dark thriller that, in addition to the valid script and qualified performances, relies on the naturalistic visuals to succeed. Review