Movie reviews of Filipe Freitas

With masterpieces such as Marienbad or Hiroshima Mon Amour, Resnais doesn’t have to fear not being remembered. I just think this film doesn't give a valuable contribution to his career. Review

Somewhere in Between revealed strong technical aspects but I cannot say this is an enjoyable trip. It wasn't solidly satisfactory, but also not entirely bad, I would say… something in between! Review

The film depicts an old conflict with the same dramas and traumas, showing that war makes huge transformations on people and there is nothing you can do to change the situation. Review

White Tiger spread some freshness with its exquisite taste, hypnotic war scenes, and final mention of an abominable philosophy described by the Reich himself. An absurdly original piece of cinema. Review

Even trying to rise above its possibilities, the result is a regular dramatic comedy that lives from the comical facet of its characters. Review

A well-fitted score by Roque Baños added some intensity, but this was not enough to make Evil Dead a remarkable or necessary remake. Review

Great Expectations is not an exuberant cinematic experience but rather a simplistic, impassive, and visually unattractive work that I cannot recommend, even for those who don’t know anything about this fantastic novel. Review

Despite these imperfections, Trance doesn't completely disappoint, being visually attractive and well directed. At least, I never got impatient, longing for the end of the movie, and that is a positive aspect. Review

I have no doubt that Cianfrance is a gifted film director. It’s just a matter of returning to uncomplicated screenwriting. Review

With a tasteless direction, this is a case to say: Fuqua has fallen. Review

Sightseers was able to spread tension throughout every scene, being visually and emotionally provocative, and representing one of the cleverest pitch-black comedies of the last times. Review

We got a positive balance for this sensitive coming-of-age story, based on the filmmaker’s own experiences. Review

Despite the auspicious story, Twice Born was never catchy, showing lack of strength in the most fundamental moments. Review

Using a tragic soundtrack along with a sorrowful narration, All That Matters Is Past is a bleak tale that often uses unnecessary scenes to impress and almost never shakes the viewer for the right reasons. Merely a promise… Review

Offline was capable of arousing curiosity, even when in needing of a bolder move to better stand out. Review

Imaginative Joko Anwar didn’t reveal enough skills as director as showed as a writer. Hardly frightful and impaired by Rio Dewanto's awful performance, Modus Anomali proved to be obtuse in many ways. Review

Some softening was detected somewhere in the middle, but this film deserves to be seen for what it represents and for Francisca Gavilán’s incredible performance. Review

The Grandmaster, not being a masterpiece, is a sumptuous accomplishment that puts together a dissimulated love, revenge, sacrifice, and martial arts in the form of floating dances (preferably in the rain). Review

It was extremely long; I wouldn’t be exaggerating if said that at least 30 minutes should be cut off. Other negative aspect was the silly side presented in some moments, leaving us between the gravity of the emotions and a sort of misplaced comedy. Review

The heaviness of the matter was handled thoughtfully, provoking a variety of intense emotions, and making The Hunt one of the most gratifying experiences of 2013 so far. Review

If the musical side was successful, the drama fell in banality through its second-hand approach and often misrepresentation of reality. Review

Considering the adopted approach, and polemics aside, The Third Half as cinematic experience just revealed a huge ambition and the inability to stir emotions or create much enthusiasm. Review

A few turn of events were a bit strained for my taste, however the film showed a beneficial funny side, having the ability to provoke us with its inventiveness and bitter end. It can't compete with Rear Window or Peeping Tom, but it may rouse some voyeuristic instincts. Review

The plot, beyond convincing, never loses track of its purpose to show how people can learn, change, and make their personal options. After this well crafted multicultural gangland drama, I can’t wait to see what El Hosaidi has to offer next. Review