Movie reviews of Hope Madden

But politically savvy filmmaking is not the main reason to see Little Woods. See it because Tessa Thompson and Lily James are amazing, or because the story is stirring and unpredictable. Review

Hellboy is lousy with limb severing, blood gushing, intestine spilling action. Review

The plotting is pretty sloppy and at no point does the comedy draw more than a chuckle, but Little is an amusing if forgettable waste of time. Review

The movie looks good, and Clarke anchors the events with a thoughtful, believable performance that helps Pet Sematary overcome some of its more nonsensical moments. Review

Tammi’s confident pacing and Gerard’s masterful performance ensure a gripping trip through a merciless slice of prairie life. Review

It’s a nice distraction from a film that is otherwise as unsurprising as any you’re likely to see. Knightly and Skarsgård perform admirably in blandly familiar roles. And, of course, they look glorious. Review

Gloria Bell is a beautiful film, one that fearlessly affirms the potency of an individual woman, one that recognizes the merit of her story. Review

The look is a bit murky, the 1984-style occupations a tad convenient and the lack of one single point of view character limits audience investment in character, and therefore, in the outcome. But the aliens look pretty cool, John Goodman offers a twisty, melancholy performance that’s worth seeing, and there’s rarely a bad time to be reminded of the power of resistance. Review

No. Math and science can help with a lot of things, but grief is grief and it just needs to be accepted. This trickery to overcome it is a cheat, as is the film’s ending, not to mention that roller coaster bear moment. Good lord, I wonder how this got made. Review

David Gallego’s cinematography renders an absurdly beautiful desolation, colors splashing and popping against bleached sandy neutrals. Naturalistic performances from the entire cast aid in the film’s authentic feeling, but the poetry of the directors’ use of long shots and the singing voiceover give Birds of Passage the tone of folklore. Review

Cronin’s subtext never threatens his story, but instead informs the dread and guilt that pervade every scene. Performances are quite solid and the way folklore – in tale and in song – is woven through the story creates a hypnotic effect. Review

Well, par for the course with this film. It opens strong, develops well and relies on Huppert’s supernatural presence to create palpable tension before going entirely off the rails. Review

While Fighting with My Family manages to sidestep or subvert a lot of genre clichés, it hardly breaks new ground. Instead, Merchant elevates the familiar with a more authentic feeling backstory and a winning cast. Review

In recreating a series of increasingly more unfortunate events, Åkerlund never manages to shed new light on the crimes at hand. And maybe he can’t—maybe that’s the point. Review

There is nothing especially groundbreaking or memorable, however, about the film. There is nothing inferior about it, either. It pushes some boundaries in terms of content as well as movie experience and it entertains from start to finish. It’s Hunger Games with a more likable protagonist, Ready Player One with a plot. Review

The point is, if you are in the mood for some genre bending SciFi fun, you won’t find it here. Review

Yes, much of the charm of the original has worn thin. To make up for it, the sequel relies too heavily on pop culture references... Review

The bigger problem is the leaden pacing and lack of action. McCarthy may be going for an atmospheric dread, but the result feels stagnant and drowsy. Review

Plenty of peculiar turns and quirky moments between odd characters elevate this one above your garden variety Neeson thriller. It offers a mildly entertaining time... Review

It’s not a film that will satisfy a lot of viewers, it’s more of a fascinating and forgettable sketch. Review

The fact that this immersion pulls you 100 years into the past is beyond impressive, but the real achievement is in the intimacy and human connection it engenders. Review

Pawlikowski uses music to inform a shifting relationship; he uses a relationship to illustrate changing global politics; he leans on an impossible political situation to articulate insurmountable challenges within a relationship. The result is poetry. Review

This confluence and conflict creates some fascinating and fascinatingly untidy responses. In many ways, the energy of the film relies on the tension between the few people who feel well-matched and the few people who feel dissonant. Review

Like the comedy of Laurel and Hardy, this film is sweet, clever and entirely of another time. Review