These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1129 / 1129
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In its efforts to be unpredictable, the film instead becomes unbelievable. Review
It’s nevertheless a fascinating examination of a horrendous crime, merging a police procedural with startling insights into the originations and circumstances of murder. Review
Fortunately, practical effects contribute to plenty of stunning visuals, including mutilated corpses and appalling crones. But for every amusing grotesquerie, a computer animated sequence threatens to destroy the momentum... Review
In the end, despite the unintentional humor of gene-spliced, ultimate-organism-breeding biochemistry for classified military programs leading to a frenzied, beachside bloodbath, the shoddy construction of the film is unforgivable. Review
To its credit, Stockholm is one of those films that is absorbing enough to push viewers to read up on the source material – a larger-than-life ordeal as fascinating as it is outlandish. Review
It doesn’t work; this isn’t an examination of the human condition as much as it is a meandering mess of unfocused snippets of familial tragedies, comically devoid of meaningful connections or resolutions. Review
The premise is perfect for laughs, though it’s an obvious take on What Women Want (and its recent iteration, What Men Want) and Big, with a few prominent notes of Tootsie. Review
Thankfully, it isn’t all a setup, just to manipulate the women into cooperation; they are indeed forced to fend for themselves in the wild. But the overlong runtime, the largely uninteresting personas, and some extremely suspect, revelatory coincidences sap the energy from the survivalist scenarios. Review
At the end of it all, despite a few amusing, anecdotal pieces of comedy, the characters are so disagreeable and unlikeable that viewers won’t care if everyone makes up, finds success, or murders one another. Review
Though the film is based on real events, there’s a Hollywoodized feel about the staging of the scenarios. Review
If His Girl Friday wasn’t so humorous, it might be a downright horrific examination of true love. Review
Lawrence Kasdan’s scripting, though borrowing a number of concepts from other pictures, has an ominous brilliance all its own. Review
But even with its intermittently amateurish editing, it’s difficult to dismiss the magnitude of what TST – and, by extension, this film – is trying to accomplish. Review
The tone is light and pleasant, with enough successful humor and romance and table-turning drama to craft an enjoyable bit of entertainment. Review
Even the outdated, idealistic view of governmental underpinnings and the unlikely leniency of tempestuous thugs can’t stop the film from being monumentally appealing. Review
It’s an exciting and triumphant finale, concluding adventurously and romantically, like many of the era’s greatest epics. Review
The finale is absolutely breathtaking and tearjerking. Review
All but Time Out (perhaps the most shocking and timeless) are remakes of popular episodes from the original television series, with the first and last proving to be the most riveting. Review
Admittedly, there’s a modicum of entertainment value to be found in a ruthless protagonist mercilessly tormenting and executing a band of exceptionally unfeeling antagonists; but it’s certainly not enough to warrant a feature-length film. Review
Comic relief moments inspire zero laughs, and Andrews and Griffith exhibit no chemistry; everything is so ineffective, the very existence of this completed film is something of a mystery. Review
The action is just too plain to rouse much interest. The worthwhile cast can’t overcome bland storytelling and uninspired scripting. Review
There’s no real sense of wonderment and no attachment to the characters. Review
Flynt’s legacy is nevertheless potent, culminating in a significant and sharply-staged Supreme Court showdown, followed by a somewhat poetic and thought-provoking parting shot and afterword, once again demonstrating Flynt’s impact on society over the sheer entertainment value of his life. Review
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