These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1231 / 1231
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In the hands of writer/director Akira Kurosawa, The Hidden Fortress is also quite the actioner, building exceptional excitement through anticipation. Review
In characters, plot, tone, and production design, Double Dragon is inconsistent and all over the place. For that, the constant levity certainly doesn’t help. Review
Alita: Battle Angel might be one of the most proficient adaptations in a long time, but its premise occasionally shows signs of its age. Review
The acting is unbelievably bad, which doesn’t matter much considering that the script is pure nonsense, full of double entendres and really, really bad one-liners. Review
Despite its obvious low-budget construction, Mandy is stylish and alarmingly original, while Cage doesn’t hold back the rage in his performance. Review
When the plenitude of characters isn’t muddying the thrills, a repetition takes over, duplicating the quirkiness of deaths. Review
Despite how strange and unusual Serenity becomes toward its conclusion, it’s not entirely original; other pictures have attempted comparable notions (though not with such wildly incongruous themes), finding far better results. Review
McAvoy’s acting is impressive, managing to uphold interest even though the range of his split personalities isn’t uncommonly drastic. Review
Here, there’s also a slowness, partly to build characters, but also to allow the extraordinary concepts to sink in... Review
The overarching themes of Shyamalan’s franchise sound somewhat unfilmable, yet his players tackle the subjects with enough sincerity that they work part of the time... Review
It’s odd to utilize Hart in a chiefly dramatic role, but he’s convincing in the part; Cranston is likewise suitable as a man with everything yet nothing... Review
At the same time, however, it undoubtedly generates fresh ideas, which will surely be conducive to subsequent sci-fi tales. Review
Problematically, some of the fables are better than others, which means that the weaker links drag down the impact of the more impressive chapters... Review
The technical merits of The Most Dangerous Game aren’t spectacular or precise, but the premise is the stuff of seminal adventure tales. Review
Even with the unnecessary exposition and backstories, The Last Man on Earth is routinely fascinating. Review
It again takes away from the mystery, which is entirely guessable, devolving into something more outrageous, perverse, and trivial than plausible or nerve-wracking. Review
With Noah’s unflappable calmness and worldliness clashing with Deborah’s fiery demeanor, the love story is also diverting. Review
Egregious amounts of violence crop up, but they’re mitigated by the constant silliness surrounding them. Review
Anything but a glamorous picture, yet it still possesses a cinematic grittiness and a satisfying resolution. Review
The humor isn’t always laugh-out-loud funny, as it’s occasionally based on crafting awkward moments designed to make viewers distressed, but Lemmon and Matthau have an undeniable chemistry that allows their highly contrasting personalities... Review
Slapstick, hysterics, and delirious repetition (as well as stuttering) arrive at every turn, augmenting a terribly serious plot, injecting laughs and levity amid heartbreak and tears. Review
The extremely exaggerated facial features of disproportionate denizens are once again a highlight; the character designs contain an abundance of humor, even when the personas themselves do as little as shuffle around a room. Review
An uncommonly dark Disney release, yet it’s also full of comedy and adventure. Plus, there’s a love story in here, though it’s regularly pushed aside for humor and music. Review
The dance choreography is exceptional, with Astaire and Rogers reinforcing their collaborative effectiveness, but the combination of singing and dancing talent, comedy, and romance isn’t nearly as refined as in Top Hat a year later. Review
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