Movie reviews of William Eguizabal

The narrative is sharp, funny, and immensely powerful, showcasing the profound love that siblings share. Review

I found this entire endeavor rather boring. Schwartzman usually brings a quirky charm to his roles, but here it feels forced and unnatural. Review

This is a massive skip. I cannot, in good conscience, recommend this to anyone—unless you enjoy lowbrow, stupid humor and unfunny jokes about bodily fluids. Review

A few scenes sparkle with striking colors, and the overall saturated look works well. But aesthetics were never going to be the main issue. Ultimately, the film’s direction falls short of what the story truly needs. Review

Strange would be the best way to describe this. It’s slow, almost glacial in how the story unfolds, and by the end of a week-long festival, some of its initial luster had faded. Review

This movie, much like Megan Fox’s performance, feels like a blank sheet of paper. Review

If you’re a fan of this cult classic, this documentary is right up your alley. Review

It’s pretty enjoyable to see two actors of Pitt and Clooney’s caliber, but this should have been far more engaging than it is. Review

Arianna Mastroianni gives her all in front of the camera, and Sloan positions that camera with precision, capturing every moment to its fullest effect. Review

We’re taken through the entire gamut of emotions and stakes, but it all feels hollow. Review

Pulling off a time travel film is no easy feat, and it’s common for the narrative to get a bit messy. Luckily, Li proves to be masterful behind the camera, and his script is about as tightly constructed as a time travel story can be. Review

Azazel Jacobs continues to impress. His writing and direction often feel deeply personal and undeniably beautiful. Review

Speaking strictly from a narrative perspective—and setting aside what we now know about Trump—the script feels very underwhelming. Stan is, once again, exceptional. Review

What. A. Picture. This film does not pull any punches and is quite possibly the best of the year—not just as a standout in cinema, but as arguably the finest horror film in a sea of fantastic entries. Review

This movie is honestly incredible. It’s an exploration of identity and a discussion on the nature of confidence and insecurity. It also bravely tackles the theme of body dysmorphia, all handled with skill and sensitivity. Review

This film is absolutely dumb, and it doesn’t care that it’s dumb. It’s also extraordinarily fun. Review

This is a rocking, stunning, and breathtakingly unique experience—you’ve never seen a film quite like this, I can guarantee that. Review

Honestly, this is just a film in a sea of films. It isn’t bad, and there’s a lot to enjoy here—it just sort of exists. Review

This film had potential with just a bit more polish. I will say this: it’s very fun—to an extent. Not the kind of fun I usually enjoy, but certainly in a way that others might. Review

A really interesting and insightful documentary. I loved what it achieved here, and I thought Jon Nix did a phenomenal job of telling Justin Pearson’s story. This isn’t a game-changing music documentary, but if you’re into the grindcore scene, there’s a lot of lore and history to appreciate. Review

The film is funny and takes some gloves off jabs at the stupid side of modern society. Review

It’s just mediocre, lacking the conviction to take its silliness and stupidity to the next level. Review

The characters face enough hardships and consequences to keep adults intrigued, while the vibrant visuals and sharp characters will captivate younger audiences. It might just be the best animated film of 2024. Review

This is a creature feature the likes of which we haven’t seen in some time. That being said, it’s also one I didn’t particularly enjoy. Review