These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.
Number of movie reviews: 2013 / 2013
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The film’s extraordinary qualities - including a ferocious performance by Sukowa - outweighs any quibbles in a story that fluidly toggles affection and tension. There’s no artsy nonsense here nor dull moments, but rather an afflictive desperation and yearning that rings true. Review
It’s all bloated spectacle in the end, a long and boring trail of deaths presented with a deceptive slickness, where Statham doesn’t even bother to bring a sense of grief to his miserable existence. Review
Both the narrative quality and stylistic grounds suggest a crossing between Youssef Chahine and Satyajit Ray, in a sad film dedicated to the victims of the Sudanese Revolution. Review
Even so, the slow-moving passages and dull dialogue make the film drag all along, while the outcome never matches the promises made in the first segment of the story. This self-reverential exercise drowns in a deep melancholy and gets lost in the vision of bovine-like skulls risen from the dead. Review
The resulting documentary is a sincere, funny look at the wild life of a poet/musician, who, emerging here as a survivor of all types of excesses (even musical), is brutally honest when dealing with the life he chose and the circumstances that made him who he is. By the way, MacGowan will also be remembered for his oddly contagious laugh. Review
Despite all its strengths as a sobering, wrenching and well-acted drama, The Sleepwalkers faces some limitations, the biggest of them being the predictability of the story. Review
Honestly, the whole film feels like there’s something off, and because Cooke didn’t invest in thrills and Cumberbatch was not so convincing, the result is a vacuous, low-energy spy thriller that made me exhaustively insensitive. Review
Nobody is nothing major, but there’s enough funny and electrifying moments laced through the uneven plot sequences to make us engaged. Review
Puiu was never more obstinate and futile than in Manor House. Review
Expect a strong central performance by Maeda, whose character completely transfigures while working in front of a camera, and an interesting shift into the minor key from Kurosawa, who typically embraces a tension-filled style. Review
It’s a moderately diverting film with plenty of awkwardness and a gossipy tone that can be occasionally teasing as well. Review
With both the camera work and the atmosphere recalling the works of Nuri Bilge Ceylan and Andrei Tarkovsky, Atlantis is a rough film to sit through, but those who really pay attention to its existentialist musings will be rewarded. Review
The film, impeccably edited by Jaroslaw Kaminski, unfolds as an effective nightmare that is suitably appalling in its historical context and extremely heartbreaking in terms of the family perspective. Review
Sun Children might not be among Majidi's best known works such as Children of Heaven (1997), The Color of Paradise (1999) and The Song of Sparrows (2008), but its visual acuteness together with the powerful message makes it a ride bound to be taken seriously. Review
The young Brummer delivers a top-drawer performance, giving the character the reserved posture, emotional complexity and subdued charm that allows us to connect. Thus, whatever didn’t work here it wasn't not his fault. Review
Some might find the subject too grim and the uncertainties frustrating, in a film that sets its mood through a permanent human melancholy and the natural misty atmosphere that characterizes this part of the Galician landscape. Even if they have a point, I can’t help recommending it for the profound impression it leaves. Review
Lux Aeterna is a shamefully underdeveloped charade whose uncomfortable viewing says absolutely nothing relevant in the end, apart from those quotations from directors such as Dreyer, Fassbinder and Godard. Review
This fantasy is intimately linked to a painful reality, and leaves its mark. It’s likable, with tiny imperfections and a constant rhythmic beat of its own. Although not investing in any sort of climax, it provides unwavering entertainment throughout. Review
Provocative yet unconvincing, Enforcement will serve more the interests of unconditional enthusiasts of the action genre than actually entertain those looking for a well-calibrated story. Review
If you’re a fan of fast-paced, violent drama-thrillers, then this is not your dish. See it only if you like the genre to be served with prolonged sharp-tasting notes. Review
Anything but commercial, and featuring a cast of non-professional actors, this portrayal of romantic disillusion still resonates with a good slice of honesty in defiance to an imperfect editing and some forgivable structural irregularities. Review
Economic inequality and critical social gaps, modernization and gentrification, emotional dilemmas and complex family relationships, all these aspects are funneled into a system of satirical criticism, in a fluid, funny film that also plays with visual flamboyance, a relevant soundtrack, and cunning acting to make its point. Review
There’s an undeniable originality in the making of this film, an entrancing prison drama centered around never-before-seen codes and rituals, and with a sharp political bite amidst the chimerical fragments. Review
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