Movie reviews of Filipe Freitas

Hausner demonstrates a morbid precision in her exploration of contemporary neuroses, and yet, the picture rests in a muzzy middle where observation and absurdity are practically indistinguishable. Club Zero is a failure, but an intriguing one. Review

Cailley demonstrates audacity in both style and form, crafting a controlled staging that delves into themes of unethical discrimination and the mysterious ties between humanity and nature. Review

The truth is: it didn’t move me in the end, but it’s guaranteed to give you the chills, reminding you of the ruthless deeds of those driven by greed and power. Review

Kaurismaki emphasizes human resilience and the value of love with his filmmaking gestures, in an absolutely gorgeous and hugely affirming love story. It’s one of those pure delights that’s hard to resist. Review

Haigh confirms the immense filmmaking capabilities and storytelling expertise previously showcased in films such as Weekend and 45 Years. Review

Recondite emotional stimuli surface intermittently with lucidity in each character, often without the need for words. Review

While visually polished, the film relies increasingly on melodramatic contrivances rather than exploring character depth, with Clooney sugarcoating Rantz’s predicaments without delivering the necessary emotional impact. Review

The Taste of Things may not move mountains, but all in there is grace and melancholic bliss, making it a sensory experience worth savoring. Review

The film shapes as a provocative, thoughtful, sometimes minimalist dramatic fresco, deliberately illusive in structure and narrative. Review

Even though the script may not reach great majesty, Io Capitano remains an indispensable movie about a disturbing global issue with no immediate solution at sight. Its path evokes both touching and shocking emotions simultaneously. Review

Sensuality, desire, and depressive insanity are predominant factors in a story that recites all the commonplaces of the genre without possessing the sophistication of its models. Despite incorporating some twists that force changes in direction, Eileen falls short of being exciting, concluding with a rushed ending that lacks surprise or shock. Review

The way the 16-year-old protagonist is tempted and entrapped is portrayed with authenticity, and McKenna-Bruce capably conveys the emotional tumult associated with such a transformative experience. Review

While Society of the Snow may not be a constant nail-biter, there’s enough of an emotional engine driving interest in the story. Magnified by Pedro Luque’s sharp cinematography, this stress-inducing film offers a sensory experience capable of accelerating your heartbeat and diverting your mind from minor troubles. Review

Even radiating intimacy at times, All Dirt Roads Taste of Salt fails to validate a lasting claim on the heart. The narrative, relying heavily on images rather than words, could be told in ten minutes. As a result, there’s simply not enough here to really engage. Review

Half the audience will gasp at the drama, while the the other half - the auto racing enthusiasts - may seize the moment to deepen their historic background on Ferrari team and its founder. Review

Brilliant casting and a cleverly woven story ensure that funny, angry, and heartbreaking moments blend seamlessly. Review

With its moody soundscape by Jerkin Fendrix and superb cinematography by Robbie Ryan, Poor Things is the standout unconventional comedy of the year. Lanthimos continues to surprise audiences with his daring imagination, offering a fresh and intoxicating cinematic experience. Review

While Godzilla's new roar is a result of a simple amplification of the original, the overall experience feels fresh and new. Review

Cooper not only delivers his best directorial work but also his best performance, creating an extremely empathetic atmosphere that spans a wide range of emotions. Review

Priscilla, painted with a filter of candor and maintaining its drive and passion, ultimately comes together nicely, more in the form of a dramatic whisper than a shout of affirmation. Review

Fast Charlie is a mildly entertaining little crime thumper that sufficiently delivers on its genre expectations. Review

As a sanitized tale that succumbs to the weight of its budget, Wonka comes across as formulaic and uninspiring. The excessive use of old-school songs becomes tedious, and the story lacks the expected magic and soul that usually populate this type of picture. Review

The elements may feel familiar, even hokum, but Ozon approaches the material with enthusiasm. The film ultimately rewards those seeking a light, feel-good piece of entertainment. Review

The film's scenes are exposed with a non-cumbersome beauty that elicits tears without being overtly tearful. Fremont concludes with warmth and optimism, infusing independent cinema with a breath of fresh air and a generous heart. Review