These are all the movies and series that Hope has reviewed. Read more at: Maddwolf.
Number of movie reviews: 928 / 928
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It’s stunning that this is Oakley’s feature debut. The patient pacing pays off with a fully earned climax and not one note rings false. Review
The Melt Goes On Forever celebrates the audacity of Hammons’s curation, the subversive nature of his exhibition and the humor in his reactions and presentations, but is quick to point out that his lasting impact on art in the U.S. and globally is more a product of the intensity and relevance of the work itself. Review
It can’t hurt to watch it, though, assuming you’re in the mood for an awful lot of goopy, sloppy, sticky – dare I say cheesy – action and you’re able to fully unplug your brain. Review
Tense, surprising and delightfully unusual, Peppergrass is a gem of a thriller worth seeking out. Review
It lacks the uniqueness of Pixar’s greatest or most enduring efforts, but it’s a touching, gorgeous, emotional and forgiving tale. Review
The story, and to a degree the entire film, is hokey but Moon Garden generates more than enough of the macabre in old school fairy tales to evoke a wondrous nightmare energy. Review
Rodgers possesses sharp storytelling instincts and a cinematic presence so sincere and authentic it could break your heart. You come away from this film hoping genuinely for his happiness and waiting eagerly for his next film. Review
Ramsay is particularly impressive, her performance layered and authentic despite the movie’s theatricality. Review
Not every performance is as strong as DeLeon Hayes’s, and sometimes Story’s dialog is asked to carry too much historical significance. But there’s no denying the power he wrung from the source material. Review
If there is a drawback, it’s that Across the Spider-Verse is a cliffhanger. If you’re cool with an amazing second act in a three-story arc (The Empire Strikes Back, The Two Towers), you’ll probably be OK with it. Maybe warn your kids, but don’t let it dissuade you from taking in this animated glory on the biggest screen you can find. Review
The Attachment Diaries is a dark, bizarre mystery thriller that flirts with B-movie status in a way that somehow makes the experience richer than it had any real right to be. Review
Cinematographer Kristof Brandl’s camera evokes the mood, lonesome silhouettes, isolating crowds, awkward intimacy. Le Bon exhibits a delicate if controlled touch to her tale of young love. Review
The two make a fascinating cinematic pairing and their film slips easily into your memory to stay. Review
Hilarious cameos from Amber Tamblyn and David Cross as an angry couple in therapy help to clarify Holofcener’s themes and push the comedy value higher. But it’s with the core couples that the filmmaker delivers her finest moments, creating a lived-in world, a true microcosm that pokes fun at our insecurities and the little white lies that keep us happy. Review
Wilson’s schtick lacks some of the vibrance of the original film, partly because watching a pre-teen on a murder spree is simply more novel, shocking and funny than witnessing another angry teen on a rampage. It would have helped if the filmmakers tried a little harder to convince us Becky could do it. Review
The lonesome heartache of questioning your worth to those who should love you haunts the entire film. But B-Side: For Taylor is about resilience, forgiveness and acceptance. Review
Whatever its faults, The Lure will hook you immediately and change the way you think of mermaids. Review
But forgiveness comes too easy for this damaged antihero, and Master Gardener feels too much like Schrader light. Review
Crater cobbles together a lot of cliched ideas but can’t find any depth to explore. Instead Alvarez delivers a superficial and forgettable road trip movie in space. Review
Party Girl is a frothy, forgettable good time, but Posey turned out to be a keeper. Review
Of course, Keaton, Bergen, Steenburgen and Fonda can act. They’re not asked to for this particular film, but we’re aware that they have the capacity. Review
Director Shekhar Kapur keeps it warm – there really are no villains here – while Jemima Khan’s script offers messy, human characters you can identify with. Review
Lowery loses his footing when he focuses on Peter, and though his adventure is truly beautiful, it feels a little unfocused and possibly unnecessary. Review
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