These are all the movies and series that Hope has reviewed. Read more at: Maddwolf.
Number of movie reviews: 1012 / 1012
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The two make a fascinating cinematic pairing and their film slips easily into your memory to stay. Review
Hilarious cameos from Amber Tamblyn and David Cross as an angry couple in therapy help to clarify Holofcener’s themes and push the comedy value higher. But it’s with the core couples that the filmmaker delivers her finest moments, creating a lived-in world, a true microcosm that pokes fun at our insecurities and the little white lies that keep us happy. Review
Wilson’s schtick lacks some of the vibrance of the original film, partly because watching a pre-teen on a murder spree is simply more novel, shocking and funny than witnessing another angry teen on a rampage. It would have helped if the filmmakers tried a little harder to convince us Becky could do it. Review
The lonesome heartache of questioning your worth to those who should love you haunts the entire film. But B-Side: For Taylor is about resilience, forgiveness and acceptance. Review
Whatever its faults, The Lure will hook you immediately and change the way you think of mermaids. Review
But forgiveness comes too easy for this damaged antihero, and Master Gardener feels too much like Schrader light. Review
Crater cobbles together a lot of cliched ideas but can’t find any depth to explore. Instead Alvarez delivers a superficial and forgettable road trip movie in space. Review
Party Girl is a frothy, forgettable good time, but Posey turned out to be a keeper. Review
Of course, Keaton, Bergen, Steenburgen and Fonda can act. They’re not asked to for this particular film, but we’re aware that they have the capacity. Review
Director Shekhar Kapur keeps it warm – there really are no villains here – while Jemima Khan’s script offers messy, human characters you can identify with. Review
Lowery loses his footing when he focuses on Peter, and though his adventure is truly beautiful, it feels a little unfocused and possibly unnecessary. Review
Expect a loose confection of a plot, as Elaine molds herself into the ideal sex toy, winning and then tiring of her trophies. This allows Biller to simultaneously reaffirm and reverse gender roles with appropriately wicked humor. Review
That storyline is somewhat slight, but what the film lacks in depth it makes up for with inspired visuals, solid casting, and so much blood. Review
The film is solidly built on understated performances, and it makes viable points. But it can’t quite stick the landing. Review
All told, Beau Is Afraid is a fascinating, gorgeously realized vision and I don’t think you’re going to like it. I can’t say I liked it. I admire it, am stunned by it, and kind of want to see it again. Maybe I do like it, I can’t tell. Review
Is it better than Petroni’s 2011 dumpster fire, The Rite? It is. Is it another movie that says men throughout the history of Catholicism have done evil things to the powerless around them, but the only way to correct this is to believe other men in the Catholic church? It is. But Crowe is having a blast, and it’s infectious. Review
Like Nicole Holofcener and Claire Denis, Reichardt invests her attention in the small moments rather than delivering a tidy, obvious structure. The result feels messy, like life, with lengths of anxiety and unease punctuated by small triumphs. Review
Johansen’s an onstage charmer, but more than that, he’s a vibrant ghost of New York past. Review
Come to Far East Deep South for the beautiful and surprising human drama. Stay for a chance to see America with sharper vision. Review
It’s simple enough for kids to enjoy it, it throws a little macabre humor at you via Lumalee (Juliet Jelenic), and it looks good. Not glorious, but definitely good. Review
So much of the success of the film sits with the emotionally honest performances. Exarchopoulos once again delivers raw vulnerability that never feels staged. In fact, despite its sometimes lurid narrative meanderings, there is nothing showy about The Five Devils. Review
If you like Quentin Dupieux movies, you’ll no doubt enjoy this one. It’s less inspired than 2010’s Rubber, less endearing than 2020’s Mandibles. But Smoking Causes Coughing kicks expectations in the ass and has a fine time making moviemaking the butt of its joke. Review
Malum gets nuts, exactly as it should. Though it never feels genuinely unique, it manages to avoid feeling derivative because of DiBlasi’s commitment to the grisly madness afoot. The result is a solid, blood soaked bit of genre entertainment fully worthy of your 92 minutes. Review
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