Movie reviews of George Wolf

Fans of the book may feel slighted, but Eileen lands on the big screen as its own slippery shape shifter, a simmering throwback with just enough thrills to satisfy. Review

While several layers of polish are indeed evident, Maestro is a film that soars early and often, via moments of glamorous cinematic muscle-flexing and intimate soul searching. Review

The morals are clearly marked, but this is a crowd pleasing and often thrilling adventure, with some well-chosen moments of humor woven into a pace that rarely bogs down, despite a bit of schmaltz and one or two unsurprising surprises that dot the landscape. Review

Even Woo’s battle sequences seem uninspired and repetitive, and the most memorable piece of the action in Silent Night becomes how much louder its speaking. Review

It’s every bit a grand spectacle with epic vision of history, but never quite the incisive character study that may be waiting in the streaming wings. Review

But Brian’s personal history was cut short, and much like in Words of Love, a parting note from long ago becomes a bittersweet ode to the real lives that got away from the people living them. Review

There are areas of contrivance that recall Hemingson’s extensive TV resume, but Payne grounds it all with a comfortable restraint that allows the actors and some terrific production design to work authentic moments of magic and laughter.. Review

The Marvels may be the most brisk feature in the entire MCU. But compared to the bloated run times spent on Love and Thunder, Quantumania and Eternals, this less certainly feels like more. Review

With Bening and Foster setting the gravitation center, this ship never strays too far off course, and Nyad comes ashore as a worthwhile endeavor. Review

Coppola’s pace and construction are reliably assured and more easily identifiable than anything she’s done since The Beguiled. The production design and time stamp are both detailed and gorgeous, wrapped in a dreamlike haze that slowly fades when reality starts chipping away at Priscilla’s youthful naivete. Review

Recalling not only American Psycho, but also his own Fight Club and Anton Corbijn’s assassin creed The American, The Killer succeeds both as a surface-level thriller, and as a deeper illustration of another empty era. Review

You may end up sniffing out some the mystery at play, but even so, Schießer’s finale will be no less satisfying. Trunk is a tense, crowd-pleasing thriller, one that adds enough detours to a well-traveled road until it’s fun again. Review

The Choice might seem a bit brisk, but the story never feels slight. Federov resists the urge for padding he doesn’t need, cementing a debut feature that reaps plenty of benefits from the instincts of a smart new talent. Review

This is majestic, vital storytelling, from a legendary filmmaker who has not lost the drive to push himself. Review

Because it’s always about race, and power, and oppression, no matter who is trying to bury that piece of America’s past. It’s a lesson that’s part of our present, as well, and The Burial builds an entertaining bridge between a decades-old court case and a never-ending struggle. Review

The tale wraps some familiar Young Adult themes around equally familiar creature feature lore. And though Slade flirts with over indulgence on both sides, he’s ultimately able to walk a line that allows Dark Harvest to reap some tasty Halloween treats. Review

Don’t leave ’em hanging. It’s a bloody fun time. Review

The writing and directing teams also seem overly concerned with the lack of eroticism in the exorcism game. And though Deliver Us can be a horny little devil, some fine production elements are ultimately let down by a script too distracted to satisfy. Review

It’s a formula that is tasty in spots, but far from filling. Review

With this solid ensemble and gritty detective aesthetic, wanting more from Barber seems to be the point here. But while the film covers some important issues, the stakes all play out as a bit dated and less than thrilling. Review

The film is an awe-inspiring and important step on that journey. Review

The script is smart, wry and witty. And while the film may be full of deadpan humor, it also delivers some gentle insight with an emotional pull that may surprise you. Much like little Georgie, Scrapper is a bit of a hustler. Review

Take away this cast, and there’s just enough here for a made-for-cable time waster. But some big league talent got The Good Mother bumped up to the big screen, and earning its place there is a mystery the film just can’t figure out. Review

You’ve probably already guessed that Juliette Binoche is excellent in Between Two Worlds (Ouistreham). Her turn as Marianne is effortlessly human and engaging while she keeps the cliched trappings of a “brave” performance at bay. Review