These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1190 / 1190
Years
His efforts to turn funny but small episodes of humorous catastrophes into a feature-length picture result in readily identifiable, disparate concepts being strung together with little regard for a cohesive plot. Review
Timately, the concepts of writer David Odell and director Jeannot Szwarc don’t fit with their avenues of execution; they may have lofty ideas, but they fail to bring them to the screen with a suitable level of spectacle. Review
But no matter how impactful the finale, it’s difficult to appreciate the film as a whole; it’s very clearly two distinct pictures: one about the rises and falls of a Hollywood couple, and the other a collection of musical numbers to illustrate the magnificent art of Judy Garland. Review
When the actors don’t appear as if they’re making this movie solely as an excuse to be on vacation, the humor is inconsistent at best. Review
The roles all exhibit an astounding authenticity, made more compelling by their intimate environments and situations. More than anything else, Minari is a character study. Review
The many nuanced supporting roles are comparably balanced against a backdrop of violence and betrayal, with emotional reflection remaining potent when alternated with brutality, underdog revolutionary causes, and looming tragedies. Review
What should have been a slightly more thought-provoking, emotional, existential crisis (or perhaps a cautionary tale) instead resorts predominantly to disaster movie tropes... Review
The Mauritanian presents some horrifyingly compelling imagery and a couple of extraordinary scenes, but its parts are clearly better than the whole. Review
Despite the unhurried storytelling, the consistency with which clues are discovered and suspects encountered keeps things engaging. Review
There just isn’t enough going on, made more disappointing when no unforgettably potent (or even moderately sentimental) sequences arise to mark an indelible piece of filmmaking. Review
Ultimately, the two vastly disparate concepts compete against one another, allowing neither one to succeed. Review
Reds attains an epic feel, though its setting and premise and political views are never as striking (or as prominently defined) as the romance. Review
The overemphasized expressions, sudden outbursts, noirish narration, high-contrast lighting, neon glows, radiant makeup and costuming, and practically impromptu, terribly lavish numbers become more and more absorbing. Review
The back-and-forth battles, primarily conducted by Rolfe and chief prosecutor Colonel Tad Lawson, are absolutely gripping. Review
Plenty of time is allotted for meaningful character development and potent interactions, as well as a stirring build-up to the conclusion, full of rousing speeches and preparations for a climactic attack and siege – but it’s evident that the pacing is off. Review
Historically and stereotypically, the sex and drugs take a toll on the brain. Either way, the hilariousness here is unending. Review
It’s a surprisingly deft combination of romance, twisty comedic scenarios, and hilarious dialogue. Review
Narrated like a fairy tale, Sabrina is very much a take on Cinderella, but updated with realistic relationships and a dearth of whimsical magic... Review
As funny as the picture is, with characters cracking jokes and devising clever insults, it’s also exceptionally sweet. The love story may not be the most original, but it’s genuine and heartfelt, nicely complemented by Burt Bacharach’s music... Review
There’s still modest, consistent entertainment to be had with the adventure and romance leading up to the close. Review
This small but memorable comedy proves immensely satisfying – closing with one of the most perfect song selections for the coda. Review
Hopkins brings the sincerity while Banderas provides levity in a partnership that smartly divides the tasks of ingratiation, sowing discord, plotting revenge, and wooing the damsel in distress. Review
The acting is exceptional, allowing the loosely connected storylines to garner greater gravity. Review
There are chuckles to be found, though they’re not nearly as memorable as Monroe’s costume changes or the iconic sequence in which she stands over subway vents in a white gown. Review
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