These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1298 / 1298
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The overemphasized expressions, sudden outbursts, noirish narration, high-contrast lighting, neon glows, radiant makeup and costuming, and practically impromptu, terribly lavish numbers become more and more absorbing. Review
The back-and-forth battles, primarily conducted by Rolfe and chief prosecutor Colonel Tad Lawson, are absolutely gripping. Review
Plenty of time is allotted for meaningful character development and potent interactions, as well as a stirring build-up to the conclusion, full of rousing speeches and preparations for a climactic attack and siege – but it’s evident that the pacing is off. Review
Historically and stereotypically, the sex and drugs take a toll on the brain. Either way, the hilariousness here is unending. Review
It’s a surprisingly deft combination of romance, twisty comedic scenarios, and hilarious dialogue. Review
Narrated like a fairy tale, Sabrina is very much a take on Cinderella, but updated with realistic relationships and a dearth of whimsical magic... Review
As funny as the picture is, with characters cracking jokes and devising clever insults, it’s also exceptionally sweet. The love story may not be the most original, but it’s genuine and heartfelt, nicely complemented by Burt Bacharach’s music... Review
There’s still modest, consistent entertainment to be had with the adventure and romance leading up to the close. Review
This small but memorable comedy proves immensely satisfying – closing with one of the most perfect song selections for the coda. Review
Hopkins brings the sincerity while Banderas provides levity in a partnership that smartly divides the tasks of ingratiation, sowing discord, plotting revenge, and wooing the damsel in distress. Review
The acting is exceptional, allowing the loosely connected storylines to garner greater gravity. Review
There are chuckles to be found, though they’re not nearly as memorable as Monroe’s costume changes or the iconic sequence in which she stands over subway vents in a white gown. Review
The Midnight Sky could have been a cautionary tale about mankind destroying Earth, or even just a visual spectacle to take in the wonders of an alien planet or a tranquil spacewalk, but instead it’s a meandering, ineffectively existential, terrible bore. Review
It’s all hopelessly, preposterously unbelievable. Review
Car chases, shootouts, and various stunts are orchestrated with sincerity and severity. And using excellent actors, even in smaller roles lends a certain gravity to what could have been akin to a flimsy, forgettable episode of Star Trek. Review
Based on a DC Comics property, this adaptation suffers from a lack of seriousness and a lack of severity. Review
The film might not be Disney’s most impressive work, but it’s still expertly designed, quite satisfying, and highly memorable for its key romantic sequences. Review
It’s a very convincing love story, even when it follows formulaic patterns. Review
The occasional sequences of frightening realism are quickly washed out by monster movie excessiveness, but it’s undeniably engaging; the tension is incredible. Review
None of it makes for a particularly notable production, however, which is this film’s biggest downfall; it just doesn’t leave much of an impression. Review
The longer Cassie is onscreen, the more fascinating her character gets, even if her authenticity correspondingly wanes. Review
Its failure to tell anything close to a complete story does succeed in encouraging viewers to re-watch Citizen Kane. Review
Soul is never quite as funny, heartfelt, or moving as the pictures that preceded it, disappointingly leaving major points of satisfaction curiously unresolved or unexplored. Review
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