These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1193 / 1193
Years
The narration is largely unnecessary, as is the bookending of Miles’ fate, but the pacing is swift, the acting is outstanding, and the techniques for generating suspense are superb. Review
It’s also apparent that the filmmaking siblings are adept with screenwriting. The dialogue is smart and cheeky, while the plot is labyrinthine and unpredictable. Review
The majority of the picture struggles to create a truly unique identity; it’s derivative of enough other properties to keep it interesting, but originality eludes it at every turn. Review
Yet despite the lack of seriousness, the biggest problem ultimately rests with the minuscule nature of the jokes; even with such an unrelenting onslaught of absurdities, few are memorable or inspire genuine belly-laughs. Review
The visuals are consistently stunning. It may not be wholly original, occasionally plagued by the one-shot restrictions, but 1917 is a tremendous, spectacle-driven, edge-of-your-seat thriller. Review
By the end, Marriage Story proves itself to be a sensational blend of laughs, tears, love, and hope. Review
Even the strength of Grant’s inimitable persona – and a few last-minute hiccups, such as confused identities and improvised cross-dressing – can’t save it from considerable mediocrity. Review
While the tone is consistently sincere and heavy-hitting, there’s nothing new about this story. Nevertheless, it’s still enjoyable to see an unwaveringly righteous lawman wade his way through the mire of crooks and corruption... Review
It may borrow from – or pay homage to – a number of other popular detective stories and premises, but it’s nevertheless consistently humorous and entertaining. Review
Although the majority of the picture is light and airy, even during action-packed moments, there are some darker scenes that are sure to stir emotions – even if their lasting effects are transitory. Review
With Scorsese’s brand of gangsterism, which tends to blend bloodshed with cheery classical tunes and a wink and a smirk, The Irishman is off to a good start. But unlike in Goodfellas, the biographical chronicle doesn’t always feel as if it’s heading toward something concrete. Review
Every role in Charlie’s Angels is bland or stereotypical; the scripting is pitiful; and the chemistry is nonexistent, which greatly hurts all the sisterly bonding and important feminist sentiments. Review
It’s all quite fitting, following along with the rest of Hammer’s Karnstein series, in which mysteries are entirely predictable, attractive women are plentiful, the ending is abrupt, and unintentional silliness abounds. Review
Thanks to the terrible mismatch of the leading couple, jealousy and discontent brews, routinely numbing the comedic components. Review
It’s also hilariously sarcastic, action-packed, and highly unique; who would have predicted that a bodiless automaton could be such a rousing superhero? Review
Audiences of the era may have been fascinated to see the inner workings of the upper crust – and perhaps overjoyed at their steadily deteriorating lives and relatable frailties – but these are painfully dull, generic ordeals. Review
Sadly, however, the visuals can’t compose the movie alone. Review
Doctor Sleep works best as a separate entity with its own distinct tone and purpose, nodding to “The Shining” but existing largely as an independent work. Review
The enigma is strung along until the very end, morphing into something along the lines of a self-fulfilling prophecy; but every ounce of creativity is met with an equal serving of disappointing nebulousness. Review
Occasionally, however, it’s all so stupid that it’s either laugh-out-loud funny or borderline boring. Review
Unlike in Terminator 3: Rise of the Machines, this sixth entry doesn’t even possess a single set piece worthy of revisiting. And when a Terminator film doesn’t have awe-inspiring action, it really doesn’t have anything at all. Review
Fled may be derivative of too many other properties to keep track of (the dialogue certainly doesn’t provide anything original), but it’s nevertheless consistently watchable (further aided by an escalating series of nonsensical set pieces and a laughably unofficial resolution). Review
Interludes of seriousness transcend Jojo Rabbit from mere laugh-out-loud funny send-up to a masterpiece of human nature, indoctrination, loss, love, and emotional resonance. Review
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