These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1274 / 1274
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A fascinating character study, bittersweet and insightful yet full of tremendous laughs. Review
While this isn’t a drastically different interpretation of the classic story, it’s nicely handled, possessing a seriousness and an updated amount of blood that are entirely fitting for a Hammer endeavor. Review
It’s the charming machine and his damsel-in-distress who keep the picture afloat, putting a twist on conventional movie romances... Review
There’s just not enough originality to justify its existence, save for satiating (or perhaps pandering to) fans of the franchise. Review
There’s also plenty of humor, primarily from political contentions, and villainy to match. Review
The moments of over-the-top gore are too often drawn out beyond their points of effectiveness, and the supplementary relationship fails to complicate a plot that was designed around just a couple of gross gags. Review
It’s not high art, but it’s a surprisingly memorable slasher endeavor. Review
Could have used some considerable polishing to make the most of its original, preteen-oriented adventures. Review
Perhaps most disappointing of all is the finale, which manages to be outrageously anticlimactic, even with a few twists that audiences might not guess. Review
The finale improves considerably when the yuck factor increases exponentially, borrowing a note or two from Dead Alive and from the many teen slashers that boast villains who refuse to die. Review
Outrageously deranged, and with a conclusion that leaves a lot up to the imagination, this is one superbly original production. Review
The premise is terribly bleak, but Bergeron’s plight manages to be momentarily hopeful, funny, and provocative as well. Review
The combination of action, intermittent comic relief makes for a frivolous yet fun diversion. Review
The animation style suits the storyline, with the anime versions of familiar roles nicely adapted from their three-dimensional counterparts. Review
Thanks to a powerful, stirring score by Justin Hurwitz, these long-awaited, climactic sequences hold considerable weight. Review
This emotional account is woefully timely and perpetually relevant. Review
The scope is grand enough to hope for a full franchise, but the plot just isn’t unique enough to want to see more of Riddick’s missions. Review
Something unique yet not entirely satisfying. Review
It’s an uncommon mix of genuine action and slapstick comedy, complete with a fitting, allegorical message about greed and the human condition. Review
This is probably one of the cheapest, tawdriest of all late-night, last-rate exploitation efforts... Review
Even when A Star is Born is at its most sentimental or manipulative, Gaga remains believable, and her crooning is utterly heartfelt. Review
A potent, powerful work, full of tough questions, tougher answers, and outstanding performances. Review
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