These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1129 / 1129
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The film’s greatest strength is its design around reality; the most convincing movie monsters tend to be human beings – and Close is outstanding as the embodiment of guilt, angst, and rage, stemming from thoughts of abandonment and betrayal. Review
The longer the terrorizing ensues, the more outrageous (and surprisingly canny) it becomes, transforming into a wildly barbarous bit of escapist entertainment. Review
It’s as if the filmmakers are purposely trying to manufacture the dullest possible sci-fi/fantasy imaginable. Review
The manipulation is high, but it never feels cheap, overwrought, or hard-won. Review
Occasionally feels like a Monty Python feature, especially with moments of slapstick, comical hysteria, biting sarcasm, uncommon revelry, the exaggerated expressions of background roles, and John Cleese behaving terribly anachronistically. But it also possesses a whimsical imaginativeness, overflowing with amusing costumes and sets, as well as an original premise built from time travel, historical figures, and otherworldly entit... Review
The plot is so flimsy that it’s actually moderately comical... Review
The result is something merely boorish and obscene – to the point that any thought-provoking critiques of antiestablishment and race relations are almost entirely lost. Review
It’s evident that it’s just a tease with no interest in telling a complete (or even comprehensible) tale. Review
The film is – if nothing else – an unforgettable smorgasbord of music and mania. Review
Fortunately, Jones and Del Toro are both convincing, taking their parts seriously; there’s no comic relief, and the countless cuts and stabs are quite brutal. But by the end of it all, not much of the film stands out. Review
The movie is airy and entertaining, with an uncommonly resolute finale... Review
Nevertheless, Luc Besson’s script and direction would prove inspirational to subsequent movies, crafting a blueprint for a number of likeminded spy yarns... Review
It’s an unusually balanced, satisfying martial arts extravaganza – and one of Li’s greatest American endeavors. Review
Energetic, rousing, and routinely hilarious – quite the feat for what is, superficially, just a wrestling biopic. Review
The eventual showdown is exciting and rousing, but undeniably inferior to its predecessors. Review
The scary-movie tactics here are a touch severer, and the occult antagonists are handled with greater believability, but the film’s originality unavoidably suffers – even if the suspense is superior. Review
Has a mostly serious tone, which doesn’t serve it well. In order to pull off this kind of schlocky, exploitive B-movie, a self-aware humor needed to be evident. Review
In the hands of writer/director Akira Kurosawa, The Hidden Fortress is also quite the actioner, building exceptional excitement through anticipation. Review
In characters, plot, tone, and production design, Double Dragon is inconsistent and all over the place. For that, the constant levity certainly doesn’t help. Review
Alita: Battle Angel might be one of the most proficient adaptations in a long time, but its premise occasionally shows signs of its age. Review
The acting is unbelievably bad, which doesn’t matter much considering that the script is pure nonsense, full of double entendres and really, really bad one-liners. Review
Despite its obvious low-budget construction, Mandy is stylish and alarmingly original, while Cage doesn’t hold back the rage in his performance. Review
When the plenitude of characters isn’t muddying the thrills, a repetition takes over, duplicating the quirkiness of deaths. Review
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