Filmrecensies van Konstantinos Pappis

Succeeds more as a lighthearted comedy-drama...

Ultimately a win; it delivers the standard crime narrative about success and failure and manages to stand out from the rest of its kind.

It all comes together quite wonderfully, in the end, and perhaps too wonderfully for some.

Certainly succeeds in telling the fascinating true story of the tennis match between World number one Billie Jean King and Bobby Riggs...

No amount of slick Coen Brothers-esque chicanery can save Suburbicon from its meanness.

It’s a familiarly sentimental tear-jerker, but it’s well-told, well-intentioned, and as a result, quite moving.

As a comedy, it has exactly what fans will be looking for, and it’s quite a lot of fun.

Baumbach cannot be given enough credit for his script, which acts as a brilliant study of complicated family dynamics.

Its social commentary is not just funny or enjoyable, it’s unsettlingly sharp.

Follows the same old rules, but as a genre film, it has enough potential hidden behind it.

It may not be as refreshing as one would hope, but it has a true heart, and everything is still kind of awesome.

The film is not good at building suspense.

Dennis Villeneuve has made a film that’s not just artful but also more rewarding.

Manages to make us care for Alice even if it’s through a series of clichés.

There’s nothing that really sticks with you apart from those opening scenes...

It’s pleasant enough if you can forgive its problems – and if not, you can simply marvel at the brilliance of Judi Dench.

Imagines a perfectly endless loop where inspiration meets creation and satisfaction.

A straightforward horror movie that doesn’t pretend to be much more than a genre movie...

Haunting and immersive, capturing the essence of war like few movies ever have.

Filled with tons of personality and heart, while still managing to handle its political undertones without being heavy-handed.

May leave you unsatisfied, but that’s probably because it holds your attention in the first place.

Not only the darkest and most brutal of the trilogy but also the most heartfelt.

Sofia Coppola has managed to make resonant what could otherwise have been a disappointingly cold film.

A smart, socially conscious and politically charged dark satire...