Movie reviews of Filipe Freitas

These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.

Number of movie reviews: 1972 / 1972

Years

Without straining to make an obvious point, the director Damian McCarthy builds tension as we keep gaining interest, teasing before delivering a few well-placed chills. Review

6.0

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5 september

5 sep

It's a pleasure to get wrapped up in such a thoughtfully conceived and stirringly executed reconstruction, one delivered with gripping rhythm, fervent passion, and a clear form. With The Goldman Case, Kahn signs his most memorable film to date. Review

8.0

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4 september

4 sep

Alvarez directs with a blend of technique and artistry, crafting a visually arresting experience. He knows how to create suspense in confined, claustrophobic places and pumps this new chapter with nauseating fluids and relentless adrenaline. Review

7.0

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2 september

2 sep

In Our Day may not be mind-blowing in its ideas, but it radiates warmth and gentle humor. Review

6.0

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26 august

26 aug

Janet Planet is a rare gem, so earnest in its approach that it resonates with a poignant, almost painful, honesty. Review

8.0

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22 august

22 aug

The Monk and the Gun offers a relaxing and deeply felt portrait of the Bhutanese people, with its educational value standing out as invaluable. Dorji’s perspective is bracing, and his film a serene experience. Review

7.0

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17 august

17 aug

There’s Still Tomorrow drives home a narrative that is both deeply engaging and impactful, successfully resonating with audiences while delivering a powerful message of women’s emancipation. Review

8.0

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15 august

15 aug

The movie denotes a bit of formula and calculation as the directors put out a play for us — so, if you’re looking to be wowed, this may not do the trick. With that said, I still believe it’s worth checking out just for its newfound parallels and poignant exploration of human emotions. Review

6.0

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12 august

12 aug

Touch might be easily overlooked, but it remains a light watch, a candid representation of a profound love. It’s a pleasant surprise for fans of the genre. Review

7.0

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11 august

11 aug

While the ridiculousness occasionally lands some laughs — thanks largely to Deadpool's irreverent charm — the movie's attempts at subversion can't mask its numerous plot incoherences. Review

4.0

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8 august

8 aug

Following conceptual simplicity, Terrestrial Verses is minimalist in its visuals but cathartic in its dialogue. Review

8.0

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5 august

5 aug

The low-key, handsomely photographed production drips with atmosphere, and we know there are competent hands behind the camera and just enough mystery to keep the audience guessing. Plaschg’s performance perfectly fits the demands of a film that resonates through its dark ambiance and creepy conclusion. Review

7.0

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3 august

3 aug

It is well-produced, acceptably performed, and features decent special effects packing in some impressive dystopian imagery. However, we’ve seen it all before. Review

4.0

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1 august

1 aug

Chung shifts from distinctive to banal with a blockbuster marred by emotionless narrative and repetitive action. The occasional powerful images are incapable of balancing the whirlwind of tediousness felt from start to finish. Review

4.0

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31 july

31 jul

Baig shoots each scene with ardent attention, projecting a strange mix of innocence and awareness. Her assured direction ensures realism, bolstered by the young actors, who hold the stage with truthfulness. Review

7.0

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26 july

26 jul

Films like Seven and The Silence of the Lambs may come to mind, but Longlegs is miles away from them in many crucial aspects, including originality. It’s all surface psychodramatics, sporadically watchable yet mostly inert. Hence, quickly forgettable. Review

5.0

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25 july

25 jul

Buckling under the weight of trying to subvert expectations, MaXXXine ends up being a muddled, trashy piece of madness whose narrative jolts rather than compels. Review

3.0

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24 july

24 jul

Tune out the hype for countless other comedies as this one is delivered with poise and understatement, most refreshing qualities in a genre that often bombards viewers with forcible and imbecilic situations. Review

7.0

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20 july

20 jul

Depicted with a certain nostalgia, this is a furiously lucid slice of American cinema, intelligently constructed and handsomely executed. Don’t hesitate to hit the road with these nervy fellas. Review

8.0

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18 july

18 jul

Babes might not be as funny as some have claimed, but focuses on how these two friends rely on each other and grow through life's blessings and adversities. It’s an entertaining film aimed at adults. Review

6.0

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15 july

15 jul

The sharp cinematography by Thomas W. Kiennast and the costume design by Tanja Hausner are assets, but the well-groomed film itself is a minor vehicle to deliver Huller's sober but firm performance. Review

6.0

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12 july

12 jul

Glass’ sophomore picture is not as masterfully visceral as Saint Maude, but the rising filmmaker reveals herself as a gifted portrayer of emotional intimacies and wrenching acts of violence. Review

6.0

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11 july

11 jul

Problemista is only partially satisfying and easy to overlook, but hope is its last word - even if it means achieving things forcibly - and some aspects addressed are so true that they stay with you. Review

6.0

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8 july

8 jul

Jude evokes the social realism of Jim Jarmusch and Jean-Luc Godard - creative in form, tenacious in the storytelling - and infuses a caustic humor that, cutting sharper than a knife, is often quite delicious. Review

9.0

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7 july

7 jul

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