Movie reviews of Filipe Freitas

The insipid and messy plot, presented very few believable aspects, and the movie loses itself in uninteresting shootings and tawdry situations. Review

The Iceman is watchable and occasionally gripping, but not so accurate in its story. Review

The colors, soundtrack, and camera work, created a stifling background in tones of noir, filled with merciless violence and fulminant moves. Never bland or uninteresting, Elysium is not totally unexpected but guaranteed my attention from start to finish. Review

My advise here is: if you are an enthusiast of romantic films, go for it; otherwise don’t bother because “Drinking Buddies” is just another film that doesn’t stand out in any particular aspect. Review

Don’t be discouraged, since Museum Hours has so much to offer in an unpretentious way, that this trip to Vienna comes very much recommended. Review

Kenji Ushida's third feature film may bring him back the deserved international attention that he once had in 2005 with A Stranger Of Mine. Review

With consistent performances and a competent direction, Prince Avalanche will probably work fine for those who are watching this simple story for the first time. Review

Lying or not lying, the result was always cruelty, and in the end, even I felt ready to confess anything in order to stop witnessing those distressing and fatiguing atrocities. Review

Nonetheless, these aspects didn't remove its effectiveness in denouncing the extreme nationalism in Turkey and the cynicism involved in one of the most barbarian genocides in the history of mankind. Review

If Smashed showed some signs of Ponsoldt’s cleverness and accuracy behind the cameras, The Spectacular Now stepped up one level, foreseeing a bright future for this young talented filmmaker. Review

Its beautiful ending, along with natural and convincing performances, helped In The Family to stand out as a humanist, realistic, and unaggressive tale about a good man that was forced to go against a family that he considered his own. Review

Its disenchantment along with tensionless resolutions proved that Neil Jordan and his vampires already had better days. Review

Jug Face was simply a somewhat bizarre film, which was not so gripping after all. Review

The performances were simply superb, leading Dequenne to win the Un Certain Regard Award for best actress at Cannes, while Lafosse showed to be a filmmaker with exceptional maturity, presenting us another extraordinary accomplishment in his career. Review

The grave silences and revelatory looks speak for themselves, and the film runs patiently towards its freeing ending. Penetrating and uncomfortable, Shell is an outstanding film that shall not be ignored. Review

In soft pale colors, and frequent close-ups, here is another perspective of Philippines’ tough reality, leaving us with the essential question posed by the nuns: why God wants us to go through all this? Review

With some drawbacks and lack of funny moments (that’s not what I would expect from this super-hero), The Wolverine provided us with decent action scenes and didn’t leave a bad impression of the most prominent X-Men's mutant hero. Review

Pretentious or not in its disjointed structure, I cannot deny that I was immerse in the story till the end, but can only recommend it for those who don’t mind to have something to decode in practically every scene. It just aims to our senses without worrying with any particular message or logic. Review

By creating a consistent and funny portrait that confronts insane ambition with cheerful modesty, Allen made of Blue Jasmine his best work since Match Point. Review

One thing was obvious here: style had a lot more expression than substance. Review

The formulaic approach and lack of energy in the scenes and characters, caused Wasteland to be even more trapped in its borrowed ideas and contrived plot. A too discouraging ride to be recommended. Review

Amongst all this mess involving parents and stepparents, What Maisie Knew shows some sensitivity and worth essentially due to the solid performances. Review

Shun Li And The Poet is not a bad film; yet, it could have explored other ways to better denounce this sad reality, perhaps in a grittier manner rather than timid. Review

The surprising Dead Man’s Burden was able to get my attention all the time, having a valuable factor in its favor: it's very hard to guess its characters' outcome. Review