These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.
Number of movie reviews: 1972 / 1972
Years
Carrying a rare intensity in the narrative, which recalls literary works by Dostoyevsky and Bulgakov, the film is overwhelmingly painful; an original moral tale that, in the guise of a survival thriller, seeks for a trace of humanity. This is grim yet powerful cinema. Review
Huesera, a downright effort composed with trenchant expressions and a spellbinding atmosphere, prefers subtle suggestions to overt statements. Review
Sadly terrifying and often repulsive, Sick of Myself is not a film I'm likely ever to revisit but is well directed, acted, and observed, even if it takes that observation to a deliberately disturbing satirical degree. Review
One of those cases where the tedium outweighed the anticipation. Review
Despite an unnecessary coda that contributes nil to the outcome, Before, Now & Then is a lingeringly rich and unsentimental period drama that expresses more with looks and gestures than with words. Review
The tension builds up right from the start, and the story flies at full speed, electrifying everything around its path. And yet, this subversive audacity gives way to different feelings as the events unfold in a low-key manner. In the end, it falls short of the expectations... Review
Carrying all the ingredients of a solid film noir, Limbo has a startlingly unusual climax, shrouded in thick mystery and a sulfurous tone that, at the end, suddenly veers to bittersweet. Review
The well-acted Palm Trees and Power Lines is not perfect but frankly impressive. It succeeds in plunging us into the psyche of a teenager, and does it with captivating introspection. Review
Elevated by a great performance, this tale only seems possible on screen, but the uncanny undertones of humanity and perversity infused by the protagonist keep us centered on her self-created nightmare. With that said, the whole thing feels familiar, moodwise, without ever veering into cliché. Review
Some moments of emotional truth within the uneven parts don’t avoid a forgettable whole that translates into a minimalist procession of despair with an overall mediocre payoff. There’s simply not enough material for a feature here. Review
Meeting the canons of the saga while taking the form of an artful spectacle, Mission: Impossible - Dead Reckoning Part One was the most expensive and longest film of the series, but is far from being an extraordinary achievement. Review
Fukada signs a drama punctuated with strong sequences of muted disenchantment and discreet humanism. They warn us about the impossibility of controlling life as well as the time required to overcome difficult phases. Review
Benefitting from Helen Mirren’s effective narration, this feminist film hovers over the topics with wittiness, enjoyment and critical thinking. The result is cheerily upbeat. This Barbie movie might be too candied and flamboyant but is certainly not silly. Review
Story-wise, there’s not much to be happy about it, but even self-indulgent at times, the film has a strange appeal, developing with imagination at an irregular rhythm. Review
Passages has the ability to be simultaneously disciplined and unpredictable. Even if it doesn’t come with the power of Sachs’ previous works, this is still a lavish and opulent story that ends pungently at the sound of free jazz saxophonist Albert Ayler’s Rejoice Spirit. Review
It’s an opportunity to get a history lesson on the matter, but the film only really shines on a few scattered powerful moments. It all came up more informative than fun. Review
There are wise words and decipherable silences throughout, and both the sensitivity and audacity of the director, who obtains the right nuances from the actors, are very much appreciated as it give us time to absorb and breathe lightly. Review
Benefitting from incredibly sincere performances from the four leads, Sorogoyen doles out a dark, shattering piece of filmmaking that is as brutal as it is essential. Review
The first half of the story maintains a modest charm while the second is more emotional and progressively clarifying. Linoleum is a lesson in how movies can escape stereotype and penetrate the hearts of rare characters. Review
His formidable film was the recipient of Cannes Grand Prix and lingers in my head since I’ve watched it. Review
The themes, emphasizing the clash between feelings and values, will resonate with free spirited individuals as much as it will upset fanatical religious devotees. Review
Pamfir finds limited options to deal with unexpected predicaments in a contemporary tragedy that is pretty decent but harsh. In his debut, and due to the script’s nature, Yatsentyuk conveys more action than emotion. His professionalism is never in question though. Review
Not even close to mind-blowing, Last Night of Amore still comes shrouded in an acceptable aura of obscurity that triggers curiosity. Review
Gravel’s realism finds the right pacing, and the taut script, although precise and controlled, is implemented with dynamic camera movements and an efficient editing that help extract tension from the real-world scenes. Review
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