Movie reviews of The Massie Twins

The related boo moments, however, are largely amusing, even if they also don’t precisely contribute to the movie’s interest in popularizing ghouls. Review

The Bob’s Burgers Movie is entirely in line with the television series, maintaining a faithfulness to the characters and their family dynamics, and providing further opportunities to spend time with such well-designed, cleverly-scripted, morally-uplifting, periodically hilarious personas. Review

Fortunately, when this picture dwells on training sequences and dogfighting drills (as its predecessor did), it’s immeasurably more galvanizing; the cockpit perspectives and aerial photography are downright mesmerizing. Review

It also doesn’t help that the acting is generally unconvincing or, on occasion, pitiful, while the dialogue is juvenile and the editing is paltry. Review

Ultimately, the result isn’t clever enough to actually reboot the franchise, though if this picture is successful, it might lend the same reinvigoration ploy to other forgotten Disney shows. Review

Way Down East is an epic romance, containing striking imagery, colorful characters, and heartfelt interactions, the central notion that a woman is unworthy of marriage if she’s not a virgin is unfortunately antiquated. Review

By the end, however, the unguessable nature of the killer doesn’t propel the story or maintain interest; instead, it’s the sexiness of the cast and the opportunities for death and destruction that remain engaging – though even these elements can only barely sustain a 90-minute picture. Review

It’s also partly educational, even if the technology and processes won’t stay applicable forever, but it’s mainly entertaining – the central three characters are highly personable, funny, and sympathetic. Review

With the main premise existing between other storylines, while the conclusion closes with additional loose ends and teaser snippets for upcoming movies, Doctor Strange in the Multiverse of Madness resembles the Fantastic Beasts series, serving as a mere middle piece that only marginally pushes the larger picture forward. Review

This is the kind of sci-fi tale in want of dependable components of exploitation, especially with a story and direction by Stuart Gordon. Review

The finale returns to horror genre tropes, but the overall result is still unexpectedly entertaining. Review

Unfortunately, it’s mostly comprised of little jokes as opposed to big gags, marking a pleasant but modest comedy; it’s never uproarious enough to be unforgettable. Still, the ending – though anticipated – is satisfying. Review

With all the hysterical nods to the actor’s previous works, as well as through embracing his perceived quirkiness, it’s difficult not to recommend this flick to anyone who has followed the star’s career... Review

The damsel encounters distress and the hero must stage an epic rescue, generating an exciting climax and cementing Weissmuller’s place as the original and most beloved of the onscreen Tarzan iterations. Review

By the end, The Egyptian does muster the epic vibe it sought to obtain, even if it fails to match the grandness of The Robe, which it so clearly borrows from – and from which it cannot escape comparisons. Review

At least there’s a vein of humor running throughout much of the picture, which helps the general quiescence feel moderately less tedious. But it’s still evident that virtually everything that takes place in this middle chapter is trivial, with a forced, spontaneous creation of tiny predicaments and tiny solutions, since real substance and conclusions are presumably set aside for the final film. Review

It may possess an admirable message and decent performances, but the pacing and plotting regularly teeter on tedium. Review

There’s mild satisfaction to be found in some of the destructive confrontations, but plenty of dawdling and bewildering returns to bizarre ceremonies foster a dullness that surely won’t align with mainstream audiences’ expectations for thrilling Viking exploits. Review

By the end, it’s laughable how hard the filmmakers try to make Ambulance suspenseful or edgy or unexpected; as the picture rambles along, refusing to end the exhaustingly protracted chase, it keeps growing more inane and less convincing. Review

There are still a few surprises that have the potency to remain memorable, but, ultimately, when devious, dishonest people use one another for two hours, the end result is rarely satisfying. Review

As trippy as it is, it’s also incredibly sweet, examining choices, paths, temptations, and possibilities with a deft tenderness; it’s as much of a love story (alternating even between motherly love, sisterly love, spousal romance, and off-the-wall sexuality) as it is a sci-fi opus of the grotesque. Review

The pacing of this third film is excellent. It wastes no time in not only founding a simple yet amusing premise, but also in transitioning from one action scene to the next. Review

By the end, this watered-down romantic comedy is just as forgettable as Jungle Cruise, Red Notice, and Uncharted, all recent actioners coincidentally boasting their own jungle-bound treasure hunts with diluted love stories and insipid antagonists. Review

Fortunately, however, Rylance is an exceptional lead, managing a natural sympathy in his feigned harmlessness, while the use of a single set and very few personas creates the feel of an intimate stage play, aiding the character development and the suspense of erratic violence. Review