Movie reviews of The Massie Twins

His efforts to turn funny but small episodes of humorous catastrophes into a feature-length picture result in readily identifiable, disparate concepts being strung together with little regard for a cohesive plot. Review

Timately, the concepts of writer David Odell and director Jeannot Szwarc don’t fit with their avenues of execution; they may have lofty ideas, but they fail to bring them to the screen with a suitable level of spectacle. Review

But no matter how impactful the finale, it’s difficult to appreciate the film as a whole; it’s very clearly two distinct pictures: one about the rises and falls of a Hollywood couple, and the other a collection of musical numbers to illustrate the magnificent art of Judy Garland. Review

When the actors don’t appear as if they’re making this movie solely as an excuse to be on vacation, the humor is inconsistent at best. Review

The roles all exhibit an astounding authenticity, made more compelling by their intimate environments and situations. More than anything else, Minari is a character study. Review

The many nuanced supporting roles are comparably balanced against a backdrop of violence and betrayal, with emotional reflection remaining potent when alternated with brutality, underdog revolutionary causes, and looming tragedies. Review

What should have been a slightly more thought-provoking, emotional, existential crisis (or perhaps a cautionary tale) instead resorts predominantly to disaster movie tropes... Review

The Mauritanian presents some horrifyingly compelling imagery and a couple of extraordinary scenes, but its parts are clearly better than the whole. Review

Despite the unhurried storytelling, the consistency with which clues are discovered and suspects encountered keeps things engaging. Review

There just isn’t enough going on, made more disappointing when no unforgettably potent (or even moderately sentimental) sequences arise to mark an indelible piece of filmmaking. Review

Ultimately, the two vastly disparate concepts compete against one another, allowing neither one to succeed. Review

Reds attains an epic feel, though its setting and premise and political views are never as striking (or as prominently defined) as the romance. Review

The overemphasized expressions, sudden outbursts, noirish narration, high-contrast lighting, neon glows, radiant makeup and costuming, and practically impromptu, terribly lavish numbers become more and more absorbing. Review

The back-and-forth battles, primarily conducted by Rolfe and chief prosecutor Colonel Tad Lawson, are absolutely gripping. Review

Plenty of time is allotted for meaningful character development and potent interactions, as well as a stirring build-up to the conclusion, full of rousing speeches and preparations for a climactic attack and siege – but it’s evident that the pacing is off. Review

Historically and stereotypically, the sex and drugs take a toll on the brain. Either way, the hilariousness here is unending. Review

It’s a surprisingly deft combination of romance, twisty comedic scenarios, and hilarious dialogue. Review

Narrated like a fairy tale, Sabrina is very much a take on Cinderella, but updated with realistic relationships and a dearth of whimsical magic... Review

As funny as the picture is, with characters cracking jokes and devising clever insults, it’s also exceptionally sweet. The love story may not be the most original, but it’s genuine and heartfelt, nicely complemented by Burt Bacharach’s music... Review

There’s still modest, consistent entertainment to be had with the adventure and romance leading up to the close. Review

This small but memorable comedy proves immensely satisfying – closing with one of the most perfect song selections for the coda. Review

Hopkins brings the sincerity while Banderas provides levity in a partnership that smartly divides the tasks of ingratiation, sowing discord, plotting revenge, and wooing the damsel in distress. Review

The acting is exceptional, allowing the loosely connected storylines to garner greater gravity. Review

There are chuckles to be found, though they’re not nearly as memorable as Monroe’s costume changes or the iconic sequence in which she stands over subway vents in a white gown. Review