These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1190 / 1190
Years
Movies this mature, this powerful, this moving, are incredibly rare; A Letter to Three Wives is utterly monumental in its acting, scripting, and direction. Review
Battle Queen 2020 is an exceptionally lazy undertaking. Review
The dialogue is bland, the acting is horrendous, and the humor falls flat. Review
The drama, storytelling, and performances are top-notch. Review
At least Fast & Furious Presents: Hobbs & Shaw revels in its ability to utterly excel at stupidity. Review
In its quest to right the many wrongs, the finale is also hugely winning, managing to be perversely satisfying even as it revels in its darkly twisted sense of propriety. Review
Ultimately, since the plot, the songs, a few lines of dialogue, and even specific shots have been redone to preserve the effectiveness of the original, this 2019 update struggles to justify its own existence. Review
The unrealistic shanghaiing eventually succumbs to fantastical resolutions or absurd stalling tactics; dire circumstances simply can’t hold up in the face of mirthful bickering and slapstick, pressured instead to resort to unfitting nonsense. But the leads are a competent collaboration that succeed more often than not. Review
Comically, rather than fueling his international journeys with nonstop clashes with evil, Peter gets tangled up in a wealth of mishaps and misadventures, allowing the humor to once again deflect most of the severity; no one ever seems as if in real danger, and even when Spider-Man requires a few stitches, it has no impact on his ability to be superhuman. Review
It’s a charming, breezy bit of entertainment with a pricey yet rockin’ soundtrack. Review
The expertly-timed comedy is once again a high point, joined with the introductions of new toys and first appearances of nostalgic retro figures... Review
The chemistry is effective where the narrative fails. Plus, brutes get thrown through windows, familial issues spark continuous comic relief, and the inimitable Richard Roundtree gets a lot more screentime than in his previous, one-scene cameo. Review
Despite the frequent jests, few are sizable; practically all of the laughs are little ones. Review
While the picture is a slight improvement over the original, smartly benefitting from a refusal to redo all the same jokes from its predecessor, the laughs are light, the hazards are insincere, and the originality is fleeting. Fortunately, the cuteness is on overdrive and the fun-loving mischievousness has been amplified for a brisker, more enjoyable structuring of adventures. Review
The complex series of face-offs and showdowns certainly deliver, utilizing stunning set pieces and spectacular destruction. Plus, the music by Hans Zimmer is a huge improvement over the last several X-Men chapters. Review
It’s obvious that there just isn’t sufficient substance to this tale of destiny, destruction, and sacrifice. Review
It’s obvious that Fruits of Passion is little more than an excuse to merge mainstream filmmaking with light pornography, hoping to capitalize on the controversy and cult success of the original. Review
It may not be the greatest of the early, pre-noir gangster flicks, but The Petrified Forest is thoroughly original. Review
The atmosphere is nicely designed, the cinematography is appropriately unnerving, and the actors take their roles seriously. Regrettably, the movie goes to laughable lengths to cast suspicions on every one of the primary cast members, so as to keep the audience guessing. Review
Godzilla: King of the Monsters is an epitomic example of bombastic spectacle unable to overtake terrible storytelling. Review
The central friendship is fantastic, made ever more poignant, different, and convincing by the stellar performances of Feldstein and Dever. Review
Watching this live-action iteration isn’t better than revisiting the Ron Clement and John Musker masterpiece. Review
A distinct wryness does permeate the dialogue, but it’s not enough to sway the film away from its lack of fresh content, its ham-handed approach to both comedy and horror, and its unimaginable dullness. Review
Some CG is noticeable, but the stunts are consistently phenomenal, which is occasionally enough to distract from the silliness of the Continental and its exhaustive rules for murderers. Review
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