These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1190 / 1190
Years
Virtually every spoken line is redundant narration or explanations of evident visuals, or the plain verbalizing of intentions and feelings and plans that are completely obvious. Review
It’s nevertheless amusing to see the old cast yet again (perhaps more so for anyone who has forgotten Ghostbusters: Afterlife, which did the same thing), bringing back familiar faces and tech and tunes, along with the good-natured, fun-loving feel of ghost-chasers not having to worry about anything particularly creepy or upsetting. Review
Despite all of the reasons Kung Fu Panda 4 didn’t need to be made – chiefly with its safe, predictable, unchanging storytelling routines – this breezy, swift sequel is exceptionally lighthearted and easygoing. Review
Love Lies Bleeding tries much too hard to be edgy and weird, its efforts to appear intense and different merely cause it to feel routine and uncreative – and with a notably inconsistent entertainment value. Review
Though Eric’s story isn’t extraordinary – it is, in fact, a rather routine representation of an immigrant’s mission and plight – it’s nonetheless touching... Review
It’s a bleakly realistic, topical exposé on faith, as flames are fanned to warp and corrupt outcomes and pawns. It takes far too long, excising a couple of details that might have been revelatory for the personas, and adding a few that absolutely didn’t need to be included. Review
As the premise departs more and more from sensibility, it continues to offer very little innovation. Review
It’s an amusing concept, but its potential for compelling commentary or lingering pathos essentially stops when the running time does. Review
Killing and torture and brainwashing have little effect on these broadly-drawn stereotypes, while flashbacks to mere seconds prior seem to taunt viewers with the impression that they’re abnormally forgetful, requiring extra prodding to understand pitiful cliches. Just when it seems as if it can’t get any stupider, it absolutely does. Review
This short documentary isn’t without charm, even if it doesn’t go far enough into the minutia of Blink’s obsession. Review
With horror movie sound effects, the conflicts are nerve-wracking, though there tends to be more waiting and hiding than stalking and killing. Nevertheless, the limited number of players, the shifting allegiances, the careful deception, and the predicaments of survival beyond just avoiding death at the hands of one another prove to be quite engaging. Review
Expertly directed and staged by Alex Lora, this is excellent material for a short film. Review
It’s simple and stupid yet mostly entertaining, fueled by Statham’s comfort in roles that dole out executions upon hordes of special forces soldiers, some quirky bee factoids, and the distinct demarcation of good versus evil. Review
Ultimately, though it’s not better as a standalone production, this updated Mean Girls is a somewhat sharper, more refined, retrofitted undertaking that offers up a generous serving of entertainment value. Review
The entire affair is so painfully formulaic, predictable, and unoriginal that it feels as if a Fast and Furious film staged underwater. Review
Although The Zone of Interest is definitely an astounding work, portraying a lesser-seen element of existences during one of the darkest of historical times, its lack of subtleness detracts from its artistry – and even its forcefulness. Review
In the end, if this episode was meant to rejuvenate or reboot the franchise (it’s a prequel in the timeline), it surely won’t; it’s just too forgettable and unoriginal to make much of an impact. Review
It’s never edge-of-your-seat chilling, but it’s difficult to tire of the intensity and entertainment value of the drama. Review
He was exceptionally famous and talented and accomplished, but his story just isn’t that engaging; his history simply isn’t that cinematic, exciting, surprising, or unconventional, considering that the bulk of his dramas are merely rows with his wife or quiet denials of gossipy subjects. Review
Wright is superb, giving a sensational performance that mines the best from both the wit and the heart. Plus, the music is impressively fitting, while the conclusion is an absolute win, vacillating between the worst possible ending and the best, reiterating the hilarity of preconceived notions and audience expectations. Review
Celie’s journey, though wrought with hardships, is thought-provoking, educational, nerve-wracking and, finally, wholesome and triumphant, boasting a tear-jerking closing sequence. Review
Though Poor Things is strikingly outlandish and fantastical, armed with top-notch performances and a witty script, the cleverness is simply too buried beneath an overwrought story. Review
Problematically, the film unfolds like a psychological thriller, but without a steady stream of psychological intrigue and virtually no thrills. Review
The plot and the cast are notably mediocre. Review
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