Robert Fischer

Les Mystères de Paris : "Out 1" de Jacques Rivette revisité

Love Letters

Return to Beethoven Street: Sam Fuller in Germany

Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'

Last of the Independents: Don Siegel and the Making of 'Charley Varrick'

Perspectives on Othello: Joseph McBride on Orson Welles

Swan Song: The Story of Billy Wilder's Fedora

Touching Death: Alejandro Amenábar on 'Tesis'

Rumble on the Lot: Walter Hill's Streets of Fire Revisited

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'

Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered

Return to Philadelphia: George Litto on 'Blow Out'

Black and White in Color: Vilmos Zsigmond on 'Blow Out'

Rag Doll Memories: Nancy Allen on 'Blow Out'

A Winter's War: Keith Gordon on 'A Midnight Clear'

Ted Kotcheff's Gourmet Cinema

'Deep End': Remembering the Deleted Scenes

Starting Out: The Making of Jerzy Skolimowski's Deep End

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

Before Taking Off: Milos Forman’s Road to America

Erinnerungen an 'Väter und Söhne'

Of Love and Constraints

Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'

Working with François Truffaut: Nestor Almendros, Director of Photography