Movie reviews of Filipe Freitas

These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.

Number of movie reviews: 2029 / 2029

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Despite the film’s languid pace and contemplative storytelling, Delpero persistently seeks and captures moments of humanity in her second foray into fictional filmmaking. Review

6.0

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12 february

12 feb

All We Imagine as Light is a soothing balm amidst the chaotic rhythms of modern Mumbai, offering a gentle meditation on life's complexities. Its lingering tenderness leaves a profound impression long after the credits roll. Review

7.0

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10 february

10 feb

With dashes of dark humor, unnerving cynicism, and a striking lead performance, Armand grapples with superficiality without ever abandoning tension. Tøndel’s diligent filmmaking style captures the unsettling, but fails to deliver something more profound. Review

5.0

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7 february

7 feb

Despite a few unnecessary stretches, Nosferatu may not reach the pinnacle of vampire cinema, but it remains a taut and eerie spectacle anchored by strong, compelling performances. Review

7.0

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3 february

3 feb

Failing to make a lasting, thought-provoking impression, The Room Next Door still has power, but not as much as it should. Blame the restrained aesthetics, light approach, and occasional conversational inelasticity. Review

6.0

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2 february

2 feb

Despite its provocative premise, Babygirl never delivers the emotional payoff it seems to promise, leaving viewers waiting in vain for something truly gripping or transformative. Review

4.0

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30 january

30 jan

Through its pointed surface, The New Year That Never Came manages to tell us a great deal, capturing both the gravity and absurdity of life under a collapsing regime and offering viewers an evocative and thought-provoking experience. Review

7.0

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28 january

28 jan

The film’s diligent pacing, electrifying British post-punk soundtrack, and dynamic camera work amplify the protagonist’s sense of anxiety and disorientation, making Bird a visceral, radiant, and highly rewarding experience. Review

8.0

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24 january

24 jan

The premise dissipates quickly, leaving surface impressions that fluctuate between pleasantly whimsical and mildly moving. Review

6.0

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23 january

23 jan

Equal parts unsettling and candid, The Order doesn’t quite transcend genre expectations, yet some may find curiosity in the way Kurzel explores the themes. Review

6.0

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21 january

21 jan

There's a glimmer of interest in the film's narrative contortions, and it's admirable that the directors have taken its subject seriously. However, it's just not thrilling enough. Despite its ambitious themes, Sujo leaves behind a sense of untapped potential. Review

5.0

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19 january

19 jan

I was touched in the end, but never got hooked during the narrative process. I wanted to feel more, I guess. Yet, the ones who stay with the film may find a quiet reward in its understated power. Review

6.0

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15 january

15 jan

For all its intentionally bizarre qualities, the film retains a dark humor and sharp visual wit, blending hope and heartbreak with devastating emotional impact. Review

8.0

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13 january

13 jan

With youthful ardor, audacious storytelling, and interpretive depth, the Palme D’Or winner Anora reaffirms Baker as a standout voice in American independent cinema. It’s a thought-provoking, wildly entertaining work that leaves a lasting impression. Review

8.0

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7 january

7 jan

The period details are meticulously crafted, and Ed Lachman’s cinematography is nothing short of stunning, but the staging constantly oscillates between elegant mannerism and calibrated realism. Review

5.0

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6 january

6 jan

Despite its shortcomings, Gladiator II delivers a full-bodied adventure that skillfully balances responsiveness to its audience’s expectations with a reverence for the epic grandeur of its predecessor. Review

6.0

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5 january

5 jan

This profoundly affecting tale of reintegration, loneliness, and human resilience is both a bold sociopolitical critique and an intimate exploration of personal struggles. The film leaves a lasting impression, inviting viewers to reflect long after the credits roll. Review

9.0

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22 december

22 dec

As a mass-market confection, Wicked certainly works well enough, though its greatest strengths lie in its opulent production design and sharp humor rather than its narrative depth. Review

7.0

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18 december

18 dec

It’s a constant battle between polished images and undramatic sequences that could be better matured. Still, there's still something to ponder about the vengeful Count tale that's worth pondering. Review

6.0

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17 december

17 dec

My Old Ass is a gutsy and endearing ode to youth, a well-crafted tale of living life to its fullest and confronting the inevitable fear of loss. It’s an enjoyable, life-affirming watch that will leave you smiling, even if its charm is more fleeting than indelible. Review

6.0

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10 december

10 dec

The film owes everything to its gifted actors coping with the provocative ideas of a script that becomes a therapeutic trust exercise of their own. This ferocious, dichotomous masquerade is never boring. Review

8.0

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9 december

9 dec

Although you won’t find anything unexpected here, a naturalistic tone is maintained throughout, which crackles with an emotional energy and cackles with a repentant laughter. Review

8.0

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4 december

4 dec

Despite a neat visual aesthetic marked by glossy frames of war destruction, the film gets lost in the multiplicity of its ambitions and tangled in conventional triteness and sentimentality. Blitz feels weighed down by its own limitations. Review

5.0

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2 december

2 dec

Imaginative, subtly disconcerting, and solidly performed, A Different Man infuses a dry sense of humor while packing a cathartic emotional punch throughout. It won’t leave you indifferent. Review

7.0

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30 november

30 nov

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