Movie reviews of Filipe Freitas

These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.

Number of movie reviews: 2042 / 2042

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At its best, the film effectively conveys the terror and helplessness felt by an entire population. Yet, its overall impact is underwhelming, struggling to develop a compelling narrative with its sluggish pacing. Review

5.0

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1 april

1 apr

Despite Thatcher’s committed performance and the film’s fluctuating emotional beats, Companion remains a shaky, average effort devoid of real suspense—an interesting idea bogged down by a literal-minded, mechanical, and somewhat draggy execution. Review

5.0

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31 march

31 mar

Hypnotically shot by Belgian cinematographer Tristan Galand—whose experience spans both fiction and documentary filmmaking—Souleyman’s Story is a film everyone needs to see. It serves as a powerful reminder of our shared humanity and the need for solidarity. So simple yet so genuine and captivating in all its essence. Review

9.0

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27 march

27 mar

The film reflects a dark page in Brazilian history, but because it’s too tidy and airtight, it fails to leave much of an impression by remaining in a passive state of subtlety. Review

6.0

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25 march

25 mar

At times, while carrying his love-it-or-hate-it penchant for directness, Leigh risks alienating the audience from his intent. However, he ensures that every emotional wound is laid bare with sharp clarity, granting his actors the freedom to improvise in a way that heightens the film’s authenticity. Review

7.0

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18 march

18 mar

The ensemble cast—including John Magaro, Peter Sarsgaard, Leonie Benesch, and Ben Chaplin—delivers solid performances, though no one truly stands out. Review

6.0

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16 march

16 mar

Not being an easy watch, Nickel Boys offers an impressionistic view of a tragic experience, covering predictable ground with an admirable sense of artistry and a fair dose of sincerity. Review

7.0

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14 march

14 mar

What sets A Complete Unknown apart is its deep admiration and respect for both Dylan and the artists who surrounded him. The dry, academic biography that many might have feared turned out a rich and fascinating work. Review

8.0

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14 march

14 mar

While not particularly surprising in its execution, Sing Sing maintains a genuine human tone, packed with disillusion, frustration, and hope. It’s a serious work, though one that may be challenging to engage with as pure entertainment. Review

6.0

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4 march

4 mar

Kaphar’s screenplay, not being thin, is on the verge of collapsing on several occasions, leaving emotions in an embryonic state. However, a simmering tension is maintained, and the actors ultimately hold it together. Review

6.0

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3 march

3 mar

Craig delivers an impressive performance portraying a man of self-sufficiency and excesses, but Guadagino's approach bothered me as he unoriginally tries to shape the couple’s bonding as revelatory. Review

4.0

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27 february

27 feb

The Girl With the Needle is raw, unrelenting, and unforgettable—its emotional and visual impact heightened by masterful staging and an ever-present sense of suffocating tension. Review

9.0

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25 february

25 feb

The Brutalist is breathtakingly cruel and merciless in its essence, served by masterful performances, a punchy dialogue, and bravura staging. Review

9.0

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24 february

24 feb

Despite the film’s languid pace and contemplative storytelling, Delpero persistently seeks and captures moments of humanity in her second foray into fictional filmmaking. Review

6.0

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12 february

12 feb

All We Imagine as Light is a soothing balm amidst the chaotic rhythms of modern Mumbai, offering a gentle meditation on life's complexities. Its lingering tenderness leaves a profound impression long after the credits roll. Review

7.0

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10 february

10 feb

With dashes of dark humor, unnerving cynicism, and a striking lead performance, Armand grapples with superficiality without ever abandoning tension. Tøndel’s diligent filmmaking style captures the unsettling, but fails to deliver something more profound. Review

5.0

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7 february

7 feb

Despite a few unnecessary stretches, Nosferatu may not reach the pinnacle of vampire cinema, but it remains a taut and eerie spectacle anchored by strong, compelling performances. Review

7.0

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3 february

3 feb

Failing to make a lasting, thought-provoking impression, The Room Next Door still has power, but not as much as it should. Blame the restrained aesthetics, light approach, and occasional conversational inelasticity. Review

6.0

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2 february

2 feb

Despite its provocative premise, Babygirl never delivers the emotional payoff it seems to promise, leaving viewers waiting in vain for something truly gripping or transformative. Review

4.0

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30 january

30 jan

Through its pointed surface, The New Year That Never Came manages to tell us a great deal, capturing both the gravity and absurdity of life under a collapsing regime and offering viewers an evocative and thought-provoking experience. Review

7.0

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28 january

28 jan

The film’s diligent pacing, electrifying British post-punk soundtrack, and dynamic camera work amplify the protagonist’s sense of anxiety and disorientation, making Bird a visceral, radiant, and highly rewarding experience. Review

8.0

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24 january

24 jan

The premise dissipates quickly, leaving surface impressions that fluctuate between pleasantly whimsical and mildly moving. Review

6.0

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23 january

23 jan

Equal parts unsettling and candid, The Order doesn’t quite transcend genre expectations, yet some may find curiosity in the way Kurzel explores the themes. Review

6.0

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21 january

21 jan

There's a glimmer of interest in the film's narrative contortions, and it's admirable that the directors have taken its subject seriously. However, it's just not thrilling enough. Despite its ambitious themes, Sujo leaves behind a sense of untapped potential. Review

5.0

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19 january

19 jan

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