Movie reviews of Filipe Freitas

Put me a bit off, but there was this mental labyrinth against the clock and a super claustrophobic environment making me relatively tuned. Both the scenarios and the special effects are accomplished in a modest sci-fi flick. Review

The long duration of the film and a somewhat soulless approach gives this lesson in life an extra bitterness. Review

The Paper Tigers won’t make the day of Bruce Lee’s fans but, if nothing else, has its heart in the right place. Review

Keeping the tension at a fever pitch, Roehler, who worked from a script by Klaus Richter (their second collaboration), mounted it with some decadently fascinating moments. Review

What went wrong with this adaptation? It simply collapses under the weight of its tonally one-note developments and clunky narrative. Review

Solidly structured and incisive in its observations, the film never leaves you in doubt, showing that the truth is way too hard to digest. Review

Mong-hong also takes charge of the cinematography, taking an impressive stance on the visuals, but he could have taken A Sun to another realm by simplifying a few aspects. Review

In addition to a synthetic central character, the weak intrigue and rigid dynamics place the film between a poorly investigative case and a phony state of paranoia. The flaws are significative throughout, ultimately leading to a more ridiculous than revelatory closure. Review

The apt performance by Castro and the breathtaking cinematography by José Ángel Alayón help us conquer the languorous pace of the story. Review

Identifying Features is a harrowing tale of loss, anguish and disenchantment whose brutally cold conclusions left me stunned. Review

As my interest kept declining, The Man Who Sold His Skin showed to have a lot more in mind than what it could handle. This once promising satire, made imperfect by a weak twist, misses the killing blow. Review

The film’s extraordinary qualities - including a ferocious performance by Sukowa - outweighs any quibbles in a story that fluidly toggles affection and tension. There’s no artsy nonsense here nor dull moments, but rather an afflictive desperation and yearning that rings true. Review

It’s all bloated spectacle in the end, a long and boring trail of deaths presented with a deceptive slickness, where Statham doesn’t even bother to bring a sense of grief to his miserable existence. Review

Both the narrative quality and stylistic grounds suggest a crossing between Youssef Chahine and Satyajit Ray, in a sad film dedicated to the victims of the Sudanese Revolution. Review

Even so, the slow-moving passages and dull dialogue make the film drag all along, while the outcome never matches the promises made in the first segment of the story. This self-reverential exercise drowns in a deep melancholy and gets lost in the vision of bovine-like skulls risen from the dead. Review

The resulting documentary is a sincere, funny look at the wild life of a poet/musician, who, emerging here as a survivor of all types of excesses (even musical), is brutally honest when dealing with the life he chose and the circumstances that made him who he is. By the way, MacGowan will also be remembered for his oddly contagious laugh. Review

Despite all its strengths as a sobering, wrenching and well-acted drama, The Sleepwalkers faces some limitations, the biggest of them being the predictability of the story. Review

Honestly, the whole film feels like there’s something off, and because Cooke didn’t invest in thrills and Cumberbatch was not so convincing, the result is a vacuous, low-energy spy thriller that made me exhaustively insensitive. Review

Nobody is nothing major, but there’s enough funny and electrifying moments laced through the uneven plot sequences to make us engaged. Review

Puiu was never more obstinate and futile than in Manor House. Review

Expect a strong central performance by Maeda, whose character completely transfigures while working in front of a camera, and an interesting shift into the minor key from Kurosawa, who typically embraces a tension-filled style. Review

It’s a moderately diverting film with plenty of awkwardness and a gossipy tone that can be occasionally teasing as well. Review

With both the camera work and the atmosphere recalling the works of Nuri Bilge Ceylan and Andrei Tarkovsky, Atlantis is a rough film to sit through, but those who really pay attention to its existentialist musings will be rewarded. Review

The film, impeccably edited by Jaroslaw Kaminski, unfolds as an effective nightmare that is suitably appalling in its historical context and extremely heartbreaking in terms of the family perspective. Review