Movie reviews of Filipe Freitas

Meeting the canons of the saga while taking the form of an artful spectacle, Mission: Impossible - Dead Reckoning Part One was the most expensive and longest film of the series, but is far from being an extraordinary achievement. Review

Fukada signs a drama punctuated with strong sequences of muted disenchantment and discreet humanism. They warn us about the impossibility of controlling life as well as the time required to overcome difficult phases. Review

Benefitting from Helen Mirren’s effective narration, this feminist film hovers over the topics with wittiness, enjoyment and critical thinking. The result is cheerily upbeat. This Barbie movie might be too candied and flamboyant but is certainly not silly. Review

Story-wise, there’s not much to be happy about it, but even self-indulgent at times, the film has a strange appeal, developing with imagination at an irregular rhythm. Review

Passages has the ability to be simultaneously disciplined and unpredictable. Even if it doesn’t come with the power of Sachs’ previous works, this is still a lavish and opulent story that ends pungently at the sound of free jazz saxophonist Albert Ayler’s Rejoice Spirit. Review

It’s an opportunity to get a history lesson on the matter, but the film only really shines on a few scattered powerful moments. It all came up more informative than fun. Review

There are wise words and decipherable silences throughout, and both the sensitivity and audacity of the director, who obtains the right nuances from the actors, are very much appreciated as it give us time to absorb and breathe lightly. Review

Benefitting from incredibly sincere performances from the four leads, Sorogoyen doles out a dark, shattering piece of filmmaking that is as brutal as it is essential. Review

The first half of the story maintains a modest charm while the second is more emotional and progressively clarifying. Linoleum is a lesson in how movies can escape stereotype and penetrate the hearts of rare characters. Review

His formidable film was the recipient of Cannes Grand Prix and lingers in my head since I’ve watched it. Review

The themes, emphasizing the clash between feelings and values, will resonate with free spirited individuals as much as it will upset fanatical religious devotees. Review

Pamfir finds limited options to deal with unexpected predicaments in a contemporary tragedy that is pretty decent but harsh. In his debut, and due to the script’s nature, Yatsentyuk conveys more action than emotion. His professionalism is never in question though. Review

Not even close to mind-blowing, Last Night of Amore still comes shrouded in an acceptable aura of obscurity that triggers curiosity. Review

Gravel’s realism finds the right pacing, and the taut script, although precise and controlled, is implemented with dynamic camera movements and an efficient editing that help extract tension from the real-world scenes. Review

The uninspired plotting comes with banal dialogue, while the action scenes, despite fast-paced, are pretty unimaginative regardless if they occur on land, air or water. Review

Petzold’s Afire is an erratic endeavor that can be considered minor within a filmography of so many accomplishments. Although imperfect, it deserves a favorable mention. Review

The one-dimensional characterization and a dead-earnest execution soon put an unusual spin on a story where nearly every beam that strives to hold it together collapses. But perhaps the biggest problem of all is that there's nothing here we haven't seen before. Review

Past Lives is keenly observed, expertly mounted, and marvelously acted. The build-up gains slow momentum but once it finds its rhythm, the film takes off to positively devastating places that will make your heart grow three sizes while watching it. Review

Both its surface and essence are phony but, worse than that, is the movie’s inability to offer any insight about anything. Asteroid City is equal parts tackiness and boredom. Review

Steeped in rich colored costumes and passionate emotions, the film achieves a delicate osmosis between commercial film and auteur cinema. It’s a mature exploration of a big theme, hampered only by its simplified, conventional storytelling. Review

The fearless Ferrara tries to tackle this fascinating character but loses traction in a film that, asking the right questions, never finds dramatically persuasive answers. Review

You Hurt My Feelings is an insufferably cute rom-com but I have absolutely no qualms in saying that it misses out on something. Although the director and her cast bring some funny situations to keep the story going, the film leans more on the average side. Review

I felt that for every sublime moment the movie has to offer, there's a cinematic dead zone of indulgence that wipes it away. As a consequence, our interest wobbles in a story that promises more than delivers. Review

The film’s musical parts are inconsequential and, for their brevity, ludicrously whimsical; the pedestrian romance is without passion; the sixth sense and witchcraft suggestions feel like jokes; and the archival footage - with colorized and sepia frames - creates a completely redundant, even distracting tonal mishmash. Review