Movie reviews of Hope Madden

It’s a performance simultaneously full of life and of death. You see the enormous loss, but more than that, the deflating ugliness of this world etched on Everett’s face, echoing in his every gesture. Review

Occasionally skirts mawkishness, but what YA film doesn’t? In truth, Lange doesn’t run from the baggage associated with his chosen genres. He embraces it, forgives it, makes something powerful out of it. Review

Director Donovan Marsh’s film is not unwatchable. It’s shallowly packaged derivative entertainment, boasting passable water scenes and hand-to-hand action choreography that’s entirely adequate. Review

The result is a respectful, fun and creepy experience meant to be shared with a crowd. Review

Equally on-target is the tension about sharing holidays with politically opposed loved ones, as well as the image of our irrevocably altered news consumption. But beyond that, The Oath doesn’t offer a lot of insight. Review

The two actors again share a natural rapport that makes you a believer. Review

The jarring quiet, the stillness and vastness are captured with reverence and filmed beautifully. Review

Not a bad movie. It’s fun, competently made entertainment. And a disappointment. Review

While a couple of the attractions are fun, the main problem with Hell Fest is that it is not scary. Review

Those are small successes in a film that squanders a lot of talent and all of our time. Review

All of it’s empty, of course: lurid and stylish, pseudo-feminist and pretend-woke. Review

There is utterly forgettable fun here, mainly thanks to Black and Blanchett, but the intended audience is a little tough to gauge. Review

A fresh and believable take on a very old, oft-told story, so that counts for something. Review

There’s a lot of coasting going on in The Predator. A lot of boxes being checked—sometimes checked with flair, but they’re still the same old boxes. Review

It’s too bad, because as a showcase for performances, White Boy Rick excels. It just can’t entirely decide what it wants to accomplish with its story. Review

What you’ll remember is Close, delivering, as is her way, a tour de force performance that may finally land Close her own glittering acknowledgment. Review

With a slight, sometimes silly storyline and an awful lot of atmosphere, Hardy manages an entertaining if forgettable 90 minutes. Review

The film is much more than that. And also much less. Review

It’s unfortunate because there is an awful lot of talent and aesthetic going to waste here. Review

The film is raunchy. It amounts to 90 minutes of profane, DNA-spewing nastiness with very little story to redeem it. I’m pretty sure that’s the point. Review

More than anything, Slender Man is just boring. And he shouldn’t be. Review

Yes, there are laugh out loud moments in this film, but there are far more rallying cries. Review

Is nowhere near as awful as the trailer made it out to be. Review

Burnham’s as keen to the strangulating social anxieties of middle school as he is to the shape-shifting effects of technology. Review