These are all the movies and series that George has reviewed. Read more at: Maddwolf.
Number of movie reviews: 764 / 764
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Jaws @ 50: The Definitive Inside Story covers just about every angle you’re hoping for. It is the perfect exclamation point to this month long birthday celebration. Review
The Old Guard 2 just leaves you frustrated on all counts, with nothin’ mister but boring stories of the glory days. Review
The goal here is (really) big screen entertainment, movie star glamour, plenty of speed-fueled visceral thrills and maybe even a fist pump or two. Ground control to victory lane: get the champagne ready. Review
From that opening meeting in Richard’s office, Echo Valley assumes you’re settled in for the ride, all the way through a rewarding deconstruction of events and a final shot that cements what the film was getting at all along. Review
This is a film that is impressively crafted, with an immensely likable cast and a broad, generically inspiring message that many people will be quick to embrace. Writer/director Mike Flanagan adapts the Stephen King novella with such earnest polish that the film can leave you feeling guilty for not liking it – and I didn’t. Review
Byrne makes sure the shark footage is occasionally thrilling and always competent. But he also finds plenty of ways to make this more than just another preposterous fin story, and Dangerous Animals is better for it. Review
It is a nostalgic kick seeing them train Li together, and some nice moments of goofy humor come from the pairing. But like almost every other positive in the film, they’re buried under director Jonathan Entwistle’s breakneck pace. Review
This Jane Austen is hardly a wreck, but it lands as more sweet distraction than solid persuasion. Review
Tornado is a simply gorgeous movie, a compelling Samurai Western hybrid that’s painted on a canvas deserving of the big screen. Review
Cruise sells every minute of it with his ageless physicality and effortless charisma. Review
Matt Palmer provides the requisite kills, but can never capture the fun that has made Fear Street such a blast to visit. Review
Guy Ritchie’s snappy direction and the chemistry of this veteran cast break down your impulse to write the whole thing off. There’s action, derring-do, mystery solving, and enough archeological super-heroics to make you wonder if this was some discarded idea for an Indy sequel. Review
Though Hurry Up Tomorrow can be visually interesting, the story it tells is never compelling, and only The Weeknd superfans should be hurrying out to see it. Review
It turns out to be pretty dark and interesting, just like this new superteam origin story. Director Jake Shreier and the writing team do a solid job balancing the required backstory exposition with superhero action and character driven humor. Review
There’s much to like here, starting with Cage. The surfer is the kind of role that’s in perfect sync with his legendary eccentricities. He’s a man on the verge for ninety minutes, and nearly all of those are too much fun to look away. Review
Lively and Kendrick always keep it watchable. They’ve got these roles down cold, and their snappy interplay remains frisky and fabulous. Together, they’re still simply irresistible. It’s the rest of Another Simple Favor that makes it easier to resist. Review
Is Havoc deep? Not at all. But does it hit the target? Yes it does, and anything else that might be in the vicinity. Review
The Ugly Stepsister is fierce, funny, gross and subversively defiant. But is one feature film enough to immediately put Blichfeldt on the watch list of cinema’s feminist hell raisers? Yes. The shoe fits. Review
The film’s heart comes from those moments when boys (and girls, too) start accepting the responsibilities of adulthood. It’s far from a new story, but these characters make it one worth revisiting. Review
It’s all a fine reminder of Kaufman’s unique legacy, but the film makes its best mark by deconstructing his motivations with as clear of a lens as we’re likely to get. Review
Buried under all this blood and camp, the film displays a genuine love of time, place and genre that you cannot ignore. These Freaky Tales are truly off the leash, usually in the best possible way. Review
Death of a Unicorn just won’t commit to the bit as giddily as something like Ready or Not, and a true lasting impression remains an elusive beast. Review
Lund’s writing is warm and witty, with a sense of pace that is unhurried, perfectly reflecting the one American team sport without a time clock. Review
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