Movie reviews of George Wolf

The logic isn’t always water tight, and some decisions flirt with absurdity, but authentic performances from Kane and Latif reel in this catfish, and Bekmambetov lands it with a chilling accuracy. Review

The Woman in the Window is overflowing with riches on both counts, landing as immensely satisfying fun. Review

How the story is told doesn’t matter, as long as that story is a wholesome PG-rated romance (no tongues, kids!) with plenty of rolling Irish hills (they are gorgeous) and even more chances for our girl Finley to be magical. Review

With four masterful bits of storytelling and the exceptional ensemble cast in There Is No Evil, Rasoulof deftly explores the wages of those decisions, as well as the immoral center of a despotic regime that makes them necessary. Review

Keeping a mockumentary tone that’s both consistent and consistently funny is not easy, and 15 Things…does stumble a bit on both counts... Review

The Prize, has only enough humor to elicit some scattered smiles. Review

Yimou Zhang will make it easy to get lost in, and nearly impossible to look away from. Review

Call it “stupid funny” if you want, but it’s still funny, with some underlying themes about gender stereotypes, personal growth and female friendships that are far from dumb. Review

Led by the sympathetic Walken, the ensemble cast is uniformly effective, but caught in a scattershot narrative. Review

Best Summer Ever gives us a glimpse of what that world might look like, and it’s inspiring, exhilarating and fun. Review

The 84 minutes in The Truffle Hunters is time well spent with old timers who are holding back the charge of progress in ways that are funny, defiant, sometimes curious but always joyful. Review

There’s love and family and funny stuff here, and though none of it is quite the kind we’re used to seeing, all of it is wonderfully real. Together Together is a delivery that somehow feels comfortable and unique, both overdue and right on time. Review

Bloodthirsty is a werewolf film that never really feels like one, which has both up and down sides. Review

With Crampton and Fessenden so completely in their element, Jakob’s Wife is an irresistibly fun take on the bite of eternity. Review

The film skirts specifics, as well as the deep ideological divisions that stand in the way of such progress, but even that seems true to the stated goal of locality. It never wavers, even in the face of celebrity. Review

With its self-conscious quirks and surface-level satisfactions, this is a French Exit more obvious than most. But thanks to Pfeiffer and a sharply drawn ensemble, it’s never less than wicked fun. Review

Seligman flashes an insight that disarms you with sex and humor, keeping its hand at a subtle distance. But by the time we’re leaving that buffet, a breakout filmmaker and star have delivered a fresh, funny and intimate take on the indignities of finding yourself. Review

Balagueró gives his camera a stylish flow and keeps us supplied with plenty of opportunities to feel like we’re in on the con, and have a stake in the success of the heist. Review

Doors is an awkward anthology in search of an anchor, as well as a satisfying reward for opening it. Review

Yes it is dark and brooding, and this League may hold the mother lode of daddy issues, but it never becomes tedious. And while you can’t quite call it fun, it is super, and heroic, and sometimes thrilling. Review

But believe it or don’t, City of Lies tells that story in a compelling fashion that doesn’t waste your time. Review

Mike Disa steers the nicely diverse cast through a surface level drama that’s sanitized for family protection. Review

Drake and Large’s script toys with the meaty issues of war, sacrifice, and colonialism, only to abandon them in the name of heroic grandstanding. Review

As our Second Chance movers uncover secrets about Vern (and each other), Lauder leans on body horror closeups and weak jump scares on the way to a big reveal that is bigly ridiculous. Review