These are all the movies and series that The Massie Twins has reviewed. Read more at: Gone With The Twins.
Number of movie reviews: 1257 / 1257
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It’s a very convincing love story, even when it follows formulaic patterns. Review
The occasional sequences of frightening realism are quickly washed out by monster movie excessiveness, but it’s undeniably engaging; the tension is incredible. Review
None of it makes for a particularly notable production, however, which is this film’s biggest downfall; it just doesn’t leave much of an impression. Review
The longer Cassie is onscreen, the more fascinating her character gets, even if her authenticity correspondingly wanes. Review
Its failure to tell anything close to a complete story does succeed in encouraging viewers to re-watch Citizen Kane. Review
Soul is never quite as funny, heartfelt, or moving as the pictures that preceded it, disappointingly leaving major points of satisfaction curiously unresolved or unexplored. Review
Though the premise is amusing once the primary gimmick is revealed, the plot immediately runs out of ideas. Review
The zombie-based horror is still moderately effective, but these characters and their scenarios struggle to appear as anything other than additional adventures from overly familiar storylines. Review
It’s evident that not enough of the film is devoted to believable biohazard thrills, nor is enough focused on martial arts combat; this particular hybrid story doesn’t work well with Seagal’s standard brand of action... Review
With formulaic precision, the once realistic scenario of a tragically disconnected family transforms into a nail-biting thriller, full of faintly frightening, troublingly taunting characters... Review
The slapstick mayhem, the breaks for piano fingering or harp strumming or guitar plucking, and the competition over a pretty girl (regular Thelma Todd) are entirely familiar... Review
The shoddiness of the picture is part of the charm; the freakishness of the characters is diverting; and the mutant mayhem, musical gags, sexual jokes, and utter absurdity of the plot maintain interest. Review
Unfortunately, Neeson’s character design is the only tried-and-true one here; the supporting roles fail to muster any creativity. Review
There’s also slapstick and physical fumbles, but it’s only a matter of time before Babe’s guilt gets the better of her, transitioning the awkward, sweet, sentimental love story into one of tragedy and heartbreak and commentary on greed, moochers, and the truly needy – perpetually kept down by the excesses of the ultra rich. Review
Fortunately, the script is smart enough to let the film conclude with Pacino returning for the last word – a sagacious decision that brings back the one element that truly excels. It also helps that the movie has such a continuously heartwarming and funny vibe. Review
Though it’s fueled by memorable moments of dippy lampooning, it also carries on a touch too long; it’s quite funny but ultimately not as polished as it could be. Review
The characters here are all absorbing, even with their questionable conduct and especially because of their sociological conundrums... Review
Despite the convincing performances and the believable threats, the lead characters aren’t terribly sympathetic. Review
The first half of the film is a fairly straightforward biopic, zipping through the years with montages and highlights to chronicle Gehrig’s early career... Review
The premise is chronological and original, resulting in an absolutely perfect combination of cartoonish nuttiness, deliriously nonsensical turns, and naturally-flowing comical interactions. Review
Sadly, only faithful fans of his films will enjoy rewatching Tenet until they pick up on a few of the revelations, while everyone else will likely be content walking away mystified and only marginally entertained. Review
It’s a strange combination that really shouldn’t work (part spoof, part real thriller), yet it manages to be both a convincing monster movie at specific moments and a gut-busting comedy at others. Review
But despite the narrative shortcomings, many of the gags are outstanding – even simple one-liners and jokes written on items in backgrounds. Review
The themes tend to be more powerful than the individual events, however, as tinier episodes populate a tale in need of more significant happenings... Review
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