Movie reviews of The Massie Twins

At least the movie features a handful of impressive stunts, ranging from fire-based shots to considerable falls to bodies thrown from detonations... Review

Unfortunately, every subsequent death scene grows more comical than the last – and goofy rather than frightening, especially with the CG. Review

By the end, pointless wirework stunts, ludicrous amounts of unfunny comic relief, Dylan’s senseless ability to withstand excessive amounts of damage, and a smorgasbord of computer-animated magic ruin the bits of fleeting entertainment value. Review

Just Before Dawn is, all in all, a surprisingly good slasher. Review

The plot is a little too simplistic and fast to overcome the natural disbelief; its suspension doesn’t have time to take effect. Review

Bloodshot may competently borrow story elements from its imitable brethren, but it regrettably fails to match the visceral fight choreography that most modern action films have adopted. Review

The end result is a competent little chiller, oftentimes using a less-is-more approach that works remarkably well with its limited resources. Review

Its greatness is in its gratifying appraisal of the human condition and its affirmation of the salvation of friendship. Review

The premise is incredibly simple, yet thoroughly fascinating. Review

Curiously, the film spends more time examining the deterioration and transformation of psyches than with the literal creeping flesh; anyone expecting a traditional monster movie about a killer skeleton will be disappointed. Review

The film is mostly comprised of sex scenes or other opportunities for nakedness, leaving little in the way of plot. This is entirely anticipated, as the project is only slightly removed from cheap porn. Review

Moss’ portrayal of a gaslighted woman is astounding... Review

Unfortunately, it’s fairly similar to the first film, which exhausted virtually all of Elvira’s one-note schtick. Review

Underneath the fantasy misadventures, replete with puzzles and curses and booby traps, is a powerful tale of catching up on lost time, brotherly bonding and conflicts, believing in oneself, and facing fears. Review

But for every thought-provoking argument presented, the two Bonners engage in some laughable courtroom theatrics to soften the severity of the masculine-versus-feminine debate. Review

It’s difficult to imagine Woman of the Year being all that satisfying when it premiered, let alone as when, throughout the years, it fails to stand the test of time, both with progressiveness and entertainment value. Review

Even with intermittent sequences of action or bloodshed, the meandering plot makes the 83-minute runtime feel like more than two hours. Review

The speculative qualities of this epic sci-fi drama are worth seeing, particularly due to the early year in which it was theatrically adapted. Review

Far less amusing are the incredibly cheap costumes, the tragically unconvincing fight choreography and editing, the appalling acting, the pitiful special effects, and the cheap plastic props. Review

The story still works, with the bigger revelations and solutions packing a punch – especially with the ordinariness of the personas and their plight – though it’s a shame that it’s not original. Review

At least the acting is adequate, propelling the film just slightly above the likes of its embarrassingly low-budget brethren... Review

It’s as if multiple films are intermittently forced together without adequate time for sensible fluidity. Review

There’s action, suspense, death, destruction, globe-hopping, wig-donning, unlimited funds, and brief dashes of humor. Review

A mystery also unravels during the gangland scuffles, providing comedy and violence and suspense; yet it’s so overwrought that it practically seems routine. Review