Movie reviews of The Massie Twins

More of a remake than a continuation, this follow-up provides moderate amusement but ultimately only for audiences itching for continued massacres from the vengeful, cursed specter. Review

Lanthimos once again opts to inject bizarreness for the sake of bizarreness, at a great detriment to both artistry and entertainment value. Review

The space-bound, sci-fi/horror subgenre is rare enough that Event Horizon is still a welcome inclusion. Review

Alternating with the mild adventure are moments of brief body horror, a hint of humor, glimpses of nudity, and even intermittent flirting. Review

Isn’t a complete adventure as much as it is a small, confined exercise in horror and suspense. It’s also worth mentioning that the acting is exceptional... Review

Everything about Creed II happens like clockwork; there’s not a single moment that isn’t entirely anticipated. Review

As the film progresses, the frights become more carefully crafted and the story smarter; brief bits of gore and dead bodies still pop up, but Below is more interested in building a creepy atmosphere and a sensational sense of dread. Review

Proves to be a powerful, sobering, haunting epic of human frailty and cruelty – a staggering, unequaled masterpiece of such intrinsic traits. Review

The creativity is admirable, even if the end result is more of a joke than it should have been. Review

A competent, consistent horror anthology. Review

By the end of it all, despite a few major revelations, this middle, middle chapter reveals itself to be little more than a collection of hunts. Review

The cuteness and the spattering of witty parodies aren’t enough to overcome the slowness, the repetition, and the lack of emotional content. Review

Politics in the ‘80s doesn’t feel considerably different than today; at the very least, it’s still extremely relevant, even if the public’s reactions have changed. Review

It’s too limited in scope to be unforgettable, though its production design and set decorations are more than adequate. Review

Chan’s flair for creative tussles knows no bounds. And the falls are tremendous. Review

Thanks to some unoriginal college initiation diversions, supporting roles line up to become fodder for the insatiable unnamable, though intentional humor occasionally spoils the mood. Review

Still a lot of fun, especially when the division of good and evil are so clearly defined, allowing for unambiguous, frenzied battles of righteousness. Review

It’s more of a moderate, procedural, cautionary tale (concerning man’s negative impact on nature), or even a war movie, than a futuristic adventure. Review

A nonstop adventure of sizable proportions. Review

It’s impossible to fully understand such an abstruse, experimental work, but the happenings on display are never dull. Review

Whether or not it’s an exercise in pointed symbolism or abstract surrealism or a manifestation of suicidal thoughts, it’s utterly mesmerizing. Review

It’s so freakish and routinely inscrutable that its imagery is alternately scary, obscene, dramatic, and hilarious. It simply doesn’t exist in any sort of analyzable reality. Review

It’s moderately amusing, but it has a difficult time justifying its own existence; it’s simply unnecessary to revisit the Seuss masterpiece yet again, especially when there’s no fresh angle from which to approach it. Review

Were it not for the odd moment of slapstick, the notions of playing god and of psychological torture and of uncontrollable rage would be genuinely terrifying. Review