These are all the movies and series that Garry has reviewed. Read more at: Cinema Perspective.
Number of movie reviews: 249 / 249
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Bailey-Bond’s Censor is a technically accomplished homage to home-video horror with an intriguing performance at its dark heart, but it falls victim to ponderous pacing and a poor execution of plot. Review
A groundbreaking piece of indie cinema from Janicza Bravo that could potentially be a sign of things to come in the connection between social media and film, Zola is a darkly funny, playfully constructed picture. Review
An old-fashioned western but set on an evolving Mars, Settlers makes great use of its sci-fi elements to tell what, in its essence, is a very human tale of endurance through grit and determination. As thought-provoking as it is visually striking, this marks an impressive directorial debut from Wyatt Rockefeller. Review
The Birthday Cake brings nothing new to the table but serves as a sweet homage to the gangster film genre with its generous helpings of cameo performances. Review
Cheap but not so cheerful, Giddy Stratospheres is a plucky vanity project from Laura Jean Marsh that is full of DIY punk spirit, succeeding in entertaining when leaning into its fantastic indie soundtrack. Review
Tapping into universal vulnerability by way of an entertaining tale of friendship and foolishness, Thomas Vinterberg serves up a Danish delight in generous double measures. Review
Disturbing, fearless, and with just the right amount of weird, In the Earth is a slaughter to the senses and one of Ben Wheatley’s very best. Review
An excellent entry into the beat-em-up genre with smarts behind every brutal blow, Nobody announces its director Ilya Naishuller as a somebody. Review
As Fred delves deeper into the mystery, the film becomes increasingly jarring, using gaudy neon imagery to distract from its lack of ideas, and it refuses to join together any of the dots. Review
Taking a refreshingly neoteric look at fluorescent adolescence, Eoin Macken’s Here Are the Young Men is a vibrant entry into the partyboy sub-genre and has just enough substance to back up its style. Review
Shedding cinematic light on a compelling true story, Silk Road is an entertaining piece of work, elevated by Nick Robinson’s brilliant portrayal of ‘the first millennial gangster’. Review
This is a perfect embodiment to his down-to-earth mentality, and Jason Ferguson delivers a compelling portrait of his grounded nature. Review
The perilously violent combat sequences are very well executed and there are some blows dealt that’ll make your eyes water, but the film is let down by a formulaic story and primitive script. Review
Capturing law enforcement problems within a microcosm of Scandi-terror, Shorta is an arresting, and totally gripping piece of work by Hviid and Ølholm. Review
Films don’t come much more personal than this for a filmmaker, and Chung has crafted a simple yet sublime picture with Minari. Yeun and Ye-ri give excellent performances... Review
Evolving against the weather-beaten seaside landscape, Ammonite lets Francis Lee hone his cinematic voice with a creative twist on a historical figure. Review
Handing the material carefully and sensitively, Harry Macqueen’s understated direction and two excellent leading turns make this a challenging yet hugely rewarding portrayal of love through adversity. Review
Possessor is a visceral bloodbath of a thriller with scenes of perilous ultraviolence that’ll make you wince in the moment, but keep you thinking about them for days. Review
Artistic licence leads director Decker down a crooked path and, as a result, Shirley is a beguiling if brazenly perplexing experience. A twisted gothic jigsaw puzzle of a movie where none of the pieces quite fit together, but worth watching for the central madcap turn from Elisabeth Moss. Review
It’s a classic love story of passion, perseverance, and sacrifice, told through the macabre lens of a mystery horror movie, marking a bloody good debut from director Jennifer Sheridan. Review
The cast is made up of an eclectic ensemble, with so many familiar faces from film and television coming together brilliantly. Review
Ambitiously complex yet contrived and a little too clinical in its delivery, time-rewind thriller Tenet is an impressive, entertaining blockbuster that doesn’t always know if it’s coming or going. Review
I Used to Go Here is a lightweight but enjoyable watch that poses a smart social commentary on not settling down in your thirties. Kris Rey’s writing is smart and incisive and is enhanced by Gillian Jacob’s engaging central performance. Review
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