Movie reviews of Jacob Richardson

A funny, heartfelt rom-com between too mismatched stars that manages, for the most part, to avoid many of the pitfalls of this genre.

A hell of a mess.

A harmlessly frothy, upbeat piece of animated entertainment.

Shazam isn’t perfect, but it is a bundle of fun, tied up in a bright, shiny package.

Dumbo is a very pretty and, for non-discerning viewers like children, enjoyable film. But it is a film that takes no risks, and dulls every plot thread, emotional beat and memory of the original in its pursuit of normality, and for many that will be a disappointment.

Us may not be as cohesive as Get Out, but it is still an incredibly well made, terrifyingly scary and deeply meaningful piece of cinema that cements Peele as an auteur.

An ultimately satisfying thriller, that although often slow feels tense, dramatic and exciting.

Despite a strong hero turn from Brie Larson, this groundbreaking Marvel film feels predictable and rote.

A painfully dull, derivative exercise that works hard to erode any joy canines bring you.

Better than expected, but largely predictable, this true wrestling underdog story will still entertain.

A stunningly rendered vision that excoriates the US justice system while never losing its roots as a compelling romance.

At times interminably slow, The Front Runner coasts on the power of its lead and the inherent draw of its story.

A riveting, engaging and heartbreaking tale that explores the relationship between mother and son.

Somewhat slow, but tinged with bouts of tension, laughter, pity and reflection, The Mule is a moving and affecting character study that doesn’t plague itself with contrivances like tension.

A surprisingly funny, heartfelt and emotional journey.

All sorts of fun, and despite a few flaws is an exciting adaptation from one of our favourite directors.

Not quite as enthralling as Unbreakable, nor as surprising as Split, Glass is nevertheless a satisfying conclusion to this retrofit trilogy.

A worthy resurrection of an iconic character, Mary Poppins Returns is fun, charming and heartfelt.

A fun and heartfelt new take on the Transformers franchise, without as many explosions.

A dismal mess that never hits it’s target.

A weak story and occasionally horrid acting doesn’t do justice to the incredible world-building of this film.

Surprisingly fun and affecting, Colette very much relies on a striking performance from Keira Knightley while making a statement on power, ownership and attribution.

Eschews the just for kids stigma with a radical new animation style, and a well thought out, intensely comedic and ultimately uplifting story that will leave kids and adults alike cheering.

Rambunctious and fun, if unambitious and predictable, Second Act is a pleasant surprise.