These are all the movies and series that Eric has reviewed. Read more at: The Movie Waffler.
Number of movie reviews: 2230 / 2230
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Sure, it mines comedy from its scenario, but there's an anger running through Captain Fantastic as unbroken as the white lines of its New Mexico highways. Review
If Lights Out finds itself bogged down at times by an exposition heavy script, Sandberg's skills in the scares department help us overlook such matters, and with its antagonist's backstory now dispensed with, there's potential for this to develop into a franchise horror fans can enthusiastically embrace. Review
They say the best comedy comes from the underdog, and if The Office felt like the work of a struggling comic pouring his heart out, David Brent: Life on the Road suggests Gervais' fame has resulted in his losing touch with the common man. Review
In Her Own Words isn't going to surprise anyone with a prior knowledge of the Scandinavian star, proving if you wish to learn about a subject, approaching the source may not always be the best option. Bergman remains an enigma. Perhaps that's how it should be? Review
What Suicide Squad fails to understand about 'guys on a mission' movies is that's it's the guys that matter, not the mission. Review
Sweet Bean isn't quite up there with the best of recent Asian drama, but it's not far off, and like all good drama, it leaves us longing to spend more time in the company of its characters. It's a confection as sweet as its titular treat. Review
Nerve is an instantly forgettable experience, save for its stunning visuals. Where monochrome and Gershwin represented a romanticised view of New York 40 years ago, for Joost and Schulman it's pulsing neon and throbbing dance music. Review
Jason Bourne is a little dumber and a little sillier than its predecessors. It's also nowhere near as engaging, but there's enough to keep fans of the series amused, and it's easily the best major release Hollywood has offered us in this otherwise awful summer. Review
Valley of Love is very much a faith-based movie. Its Christ references are hammered home, but it's a film that doesn't require its audience to share its beliefs, nor does it seek to alienate non-believers or those of other faiths. American Christian cinema could learn a lot from it. Review
The Commune is a gripping piece of drama and social critique, boasting immaculate period detail that never proves distracting. Following The Hunt and his adaptation of Far from the Madding Crowd, Vinterberg finds himself enjoying the most confident phase of his career since those dogme days of the '90s. Review
While the title suggests this is another documentary aimed at a hardcore cinephile audience, this is first and foremost a tribute to a man, rather than an Assistant Director. The Man Who Saved Ben Hur is a reminder that, just like Assistant Directors, the elderly often don't get the attention they deserve. Review
All you should need to make a good movie is a girl and a shark, but Serra fails to deliver the basics, instead fashioning a movie that too often resembles a female oriented riff on an '80s Old Spice commercial. The Shallows is a damp squib. Review
For the most part, Star Trek Beyond is a character drama. This should be a good thing, but the characters here simply aren't engaging. If Shatner, Nimoy et al were the weathered marionettes you found at the bottom of a wardrobe in your grandparents' house, Pine, Quinto and co. are action figures fresh off the shelf and still in their packaging. Review
The BFG is a missed opportunity, a drab, lifeless affair, as fun as listening to your Dad read you a chapter from the Barney storybook when you've got a copy of Tales From the Crypt hidden under your pillow. Review
Given the sorry state of the comedy genre in Hollywood, Ghostbusters is about as good as can be expected, but while this is a movie I will never revisit, I'd happily kill another 90 minutes in the company of these characters should a sequel arrive. Review
Sadly, given the names involved, Men & Chicken, a Farrelly Brothers comedy for the arthouse set, has to rank as one of 2016's major disappointments. Review
French cinema has offered us plenty of drab dramas in which pragmatic men fall for hot but crazy women. Summertime may change the gender dynamic, but it's no more interesting. Review
The script is hackneyed, Willis is awful, and the action scenes are on the level of a Walker, Texas Ranger episode, but there's an undeniable innocent charm about this little underdog that makes it far more palatable than the majority of its bigger budgeted action cousins. Review
Darkest Africa has rarely been so dark, and summer blockbuster season has rarely been so dour. Review
The Colony treats its disturbing subject matter in such a superficial manner it often resembles a Women in Prison exploitation movie, albeit one in which none of the inmates ever take a shower. We learn nothing about the real Colonia Dignidad here, and we're left to fill in blanks throughout. Review
Watching Johnson in this role, it's impossible not to grin throughout Central Intelligence, even if it does run a good 20 minutes too long and features two endings too many. As buddy movies go, it's no The Nice Guys, but it's certainly not Ride Along 3. Review
The Neon Demon is pornography without the sex, designed to engorge or moisten the loins of arthouse fans. Refn's past work has merely hinted at his ability to produce something that combines this much substance, style and sleaze. Review
The father/son casting may seem a gimmick, but it adds an extra layer of discomfort to the tension between the two characters, and a late emotional breakdown by John Henry in his father's arms will have the toughest of male viewers reaching for the Kleenex. Review
The cast assembled here is one of the most impressive ensembles you'll see all year, but save for the bubbly Caplan and the always alive Radcliffe, there's a palpable lack of enthusiasm on display. The horsemen share no discernible chemistry, and Eisenberg delivers every line as though his director is pointing a gun at his head out of shot. Review
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