These are all the movies and series that Jeffrey Rex has reviewed. Read more at: I'm Jeffrey Rex.
Number of movie reviews: 840 / 840
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Downbeat but tense, Vince Gilligan’s El Camino: A Breaking Bad Movie is a satisfying postscript to one of the greatest series ever made. Review
Although the writing is ridiculous, Ang Lee’s fairly bland Gemini Man isn’t as lifeless as I expected it to be. It certainly has its moments and, for the most part, the digital de-aging gimmick works. Review
Patrick Wilson is, admittedly, very entertaining to watch chewing the scenery in the middle of the claustrophobic and dizzying grass field, which is shot inventively by Vincenzo Natali and director of photography Craig Wrobleski. But, In the Tall Grass writer-director, Vincenzo Natali has, ultimately, overcomplicated a gruesome short story to such an extent that the film frustrated me greatly. Review
It is a disturbing and ominous but gripping character study disguised as a comic book film. Review
Unbelievable is an extraordinary show precisely because it masterfully juxtaposes and juggles their investigation with Marie Adler’s experiences. Review
This is a film that starts off as a pretty intriguing and thrilling crime film in the vein of David Fincher’s Se7en, but the film is then overwhelmed by its convoluted and ultimately frustratingly predictable story. The science-fiction elements also tend to derail the film. The character work and performances do the film no favors whatsoever either. It may be ambitious, but Jim Mickle’s In the Shadow of the Moon is an extrem... Review
Ad Astra is a masterful film about going to the edge of the universe to find solutions to our own issues with identity, belonging, and loneliness. This well-crafted science-fiction film reminds us that when we reach for the stars, we mustn’t forget about our humanity. Review
Warts and all, however, I think Dolor y Gloria is an often moving introspective film. Review
Her is a memorable and thought-provoking science fiction masterpiece. It is, in my mind, one of the absolute best films of the 2010s. Review
There is no doubt in my mind that Andy Muschietti’s follow-up to IT, his brilliant coming-of-age horror film, is a meandering and bloated sequel with tonal issues. But I also do think that the film mostly overcomes its many issues to ultimately be a quite moving sequel with great performances and memorable and frightening imagery. Review
Complete with incredible, state of the art photorealistic animation, Toy Story 4 is a wise and funny sequel which holds a comforting central message and growth for characters that we may not have realized needed some. Review
Quentin Tarantino’s Once Upon a Time in Hollywood is three different things all at once. This is, obviously, a love letter to late 1960s Hollywood — and, in length, to Tarantino’s childhood — but it is also both a wish-fulfillment alternate reality revenge fantasy for Hollywood of that era — a cinematic opportunity for payback and justice — as well as a genuinely moving and warm hangout movie about male bonding, male... Review
The Hateful Eight is a three hour, self-indulgent and plodding chamber piece western that has its moments of greatness, but which is also, in my mind, a serious step back for the seasoned writer-director. Review
An incredibly entertaining and well-made western from top to bottom, even though there are a couple of times when it feels like Tarantino didn’t know when to rein himself and his story in. Review
It contains all of the elements that people love Tarantino for, such as pop culture references of varying depth, style, extreme violence, tension-filled scenes, memorable characters, clever dialogue, and undeniably and satisfyingly humorous moments in otherwise serious scenes, but it doesn’t have the sometimes impractically nonlinear structure of his earlier work. Review
Though the first half of the film is obnoxiously self-indulgent, the second half of the film removes the blemishes of the first half and becomes quite satisfying. Review
Again, this movie has its moments, but the pacing and rhythm of Kill Bill, Vol. 2 is unlike the pacing of the first volume. It is nowhere near as intense or satisfying as the first film. Review
Though Kill Bill, Vol. 1 isn’t as flawless as I had remembered it being, I still love this cinematic love letter in the form of a martial arts, samurai revenge tale. Review
It is calm, character-focused, and much warmer than anything he had done before. Review
While I take issue with the structure of the film, it is a hilarious, thrilling, deliciously unforgettable, and inventively well-written crime film. Review
Ultimately, Reservoir Dogs, Quentin Tarantino’s directorial debut, is a simple but violent and clever film. It is a gripping crime drama with witty but profanely punchy distinctive dialogue. Review
Biggest strength of the film are the creatures, creature effects, and scary story sequences in which Sarah Bellows’ stories come alive. Review
I can’t escape the fact that it feels rushed and incomplete. Something is missing in The Kid, D’Onofrio’s first western as a director. But, ultimately, I dug enough of what he brought to the film to be able to recommend the film to fans of the genre as a well-shot and entertaining Old West tale of domestic violence, lawlessness, and revenge. Review
I’m not sure if it is too ‘incredible’ to be true. But, as a film, it is too thrilling, captivating, damning, terrifying, and astonishing to miss or dismiss. Review
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