Movie reviews of Jeffrey Rex Bertelsen

I do have mixed feelings about the ending, but, on the whole, this is a promising and assured debut from Katrine Brocks. I can’t wait to see what she comes up with next. Review

Though it oozes style and coolness, everything until the last half hour is too slowly paced for a reveal that isn’t really all that surprising, and then the final half hour is too fast-paced to really have its core ideas settle in. Review

This is the kind of haunting masterwork that succeeds in transporting you into the headspace of its main character, which means that it gradually fills you with existential dread. Review

This is an undeniably (sometimes overwhelmingly) sugary sweet but scathing social satire from an auteur in top form. Review

A relatively unremarkable sequel that doesn’t do enough to justify its own existence beyond trying to turn this into a franchise. Review

It features breathtaking stunts, as well as action set-pieces that are genuine franchise highlights. It is a high-tier Mission: Impossible movie (and is arguably the most comedic of these films), but it doesn’t quite reach the high bar set by Mission: Impossible – Fallout... Review

Insidious: The Red Door is arguably the best Insidious sequel. Patrick Wilson got the job done with a solid horror flick that isn’t afraid of being sentimental. Review

It isn’t timeless. It isn’t life-changing. But it is a good time. This is a good Indiana Jones movie, but it falls just short of greatness due to some of its set-pieces, which are unfortunately merely middle-of-the-road. Review

Steven Spielberg’s Indiana Jones and the Kingdom of the Crystal Skull is a tale of two halves with some underappreciated high highs but also frustratingly low lows. Review

The Last Crusade features action and puzzles that are every bit as well-executed as the ones in the original film, but I would argue that this film as a whole is better-paced than the other films in the series. Review

The writing is definitely more problematic. And yet, even though Spielberg has basically disavowed it, it still feels pretty true to the original aim of the franchise. Review

In spite of minor quibbles, Steven Spielberg’s Raiders of the Lost Ark remains a timeless action-adventure classic thanks to iconic music, several outstanding action set-pieces, and how real it all feels. Review

Shazam! Fury of the Gods is a serious step down in quality. It’s a shoddily-written family-oriented superhero flick that fails to recapture the magic of the first film. Review

Kore-eda’s Broker is an affecting and tender-hearted reflection on family, abandonment, giving someone up, forgiveness, acceptance, and love. I thought it was beautiful, and I would gladly revisit it. Review

It’s such a tough and draining watch, but it is also such an important story to tell. Review

Muschietti’s The Flash is an overstuffed mixed bag of a superhero film that is occasionally hollow and messy, but it is also often quite funny and consistently entertaining. The Flash is flawed fun and just okay. Review

Spider-Man: Across the Spider-Verse is as visually breathtaking as the first film and arguably even more impressive in its inventiveness and attention to detail in animation style and blending of these styles. Review

Though not exactly original, Eva Longoria’s Flamin’ Hot is a relatively exciting and inspirational crowd-pleasing feel-good movie firmly focused on self-realization and, simultaneously, fighting to have your culture be seen by a significant American conglomerate with a narrow and — perhaps even close-minded — focus. Review

Yeah, perhaps it would’ve flowed somewhat better if it were broken up (and certain characters given more of a sustained presence), but, even as it is, it is quite gripping in its most important developments and sequences. Review

Rob Savage’s The Boogeyman is not the scariest Stephen King adaptation yet. Rather it is a relatively unoriginal but still competently made atmospheric scarer that will make you consider checking under your bed and inside your closet again. Review

The well-paced and relatively charming AIR is full of excessively nostalgic needle drops to keep things snazzy and engaging. Review

Davis Guggenheim’s Still: A Michael J. Fox Movie is a wonderfully edited tell-all about the titular star’s ups and downs that highlights what kept him grounded, how he combated his condition in the nineties, and the people who now keep him on his feet. Review

I think there is a phenomenal 90-minute music documentary here if you were to strip the touring performances and the more generic content from it, but even as it is, it is quite good precisely because it allows us to see raw moments in which the titular artist is vulnerable and honest. Review

In spite of it perhaps being a tad overlong or a little bit messy, this trilogy-capper, whose themes resonate deeply with the other two volumes, nails exactly what has always been so powerful about these films. Review