These are all the movies and series that Jeffrey Rex has reviewed. Read more at: I'm Jeffrey Rex.
Number of movie reviews: 840 / 840
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The writing is definitely more problematic. And yet, even though Spielberg has basically disavowed it, it still feels pretty true to the original aim of the franchise. Review
In spite of minor quibbles, Steven Spielberg’s Raiders of the Lost Ark remains a timeless action-adventure classic thanks to iconic music, several outstanding action set-pieces, and how real it all feels. Review
Shazam! Fury of the Gods is a serious step down in quality. It’s a shoddily-written family-oriented superhero flick that fails to recapture the magic of the first film. Review
Kore-eda’s Broker is an affecting and tender-hearted reflection on family, abandonment, giving someone up, forgiveness, acceptance, and love. I thought it was beautiful, and I would gladly revisit it. Review
It’s such a tough and draining watch, but it is also such an important story to tell. Review
Muschietti’s The Flash is an overstuffed mixed bag of a superhero film that is occasionally hollow and messy, but it is also often quite funny and consistently entertaining. The Flash is flawed fun and just okay. Review
Spider-Man: Across the Spider-Verse is as visually breathtaking as the first film and arguably even more impressive in its inventiveness and attention to detail in animation style and blending of these styles. Review
Though not exactly original, Eva Longoria’s Flamin’ Hot is a relatively exciting and inspirational crowd-pleasing feel-good movie firmly focused on self-realization and, simultaneously, fighting to have your culture be seen by a significant American conglomerate with a narrow and — perhaps even close-minded — focus. Review
Yeah, perhaps it would’ve flowed somewhat better if it were broken up (and certain characters given more of a sustained presence), but, even as it is, it is quite gripping in its most important developments and sequences. Review
Rob Savage’s The Boogeyman is not the scariest Stephen King adaptation yet. Rather it is a relatively unoriginal but still competently made atmospheric scarer that will make you consider checking under your bed and inside your closet again. Review
The well-paced and relatively charming AIR is full of excessively nostalgic needle drops to keep things snazzy and engaging. Review
Davis Guggenheim’s Still: A Michael J. Fox Movie is a wonderfully edited tell-all about the titular star’s ups and downs that highlights what kept him grounded, how he combated his condition in the nineties, and the people who now keep him on his feet. Review
I think there is a phenomenal 90-minute music documentary here if you were to strip the touring performances and the more generic content from it, but even as it is, it is quite good precisely because it allows us to see raw moments in which the titular artist is vulnerable and honest. Review
In spite of it perhaps being a tad overlong or a little bit messy, this trilogy-capper, whose themes resonate deeply with the other two volumes, nails exactly what has always been so powerful about these films. Review
It’s not the type of biographical thriller that’ll end up nabbing Oscars, but it is far more fun to watch than your average biopic. Review
The horror elements are generic, visually unconvincing, and stale, the twists feel relatively predictable, and the film feels much too slow. Agron’s performance is fine, but, outside of the performance and the film’s message, Clock is a relatively bland and forgettable psychological horror film. Review
Dexter Fletcher’s Ghosted had all the right ingredients to make a real hit. Unfortunately, the film never comes together in a satisfying way. Review
Rather than taking the attractive premise in an exciting direction, the film goes for a romance subplot that doesn’t work and a crime family subplot that doesn’t hold your attention. Review
It is a wicked and intense horror film that doubles as a bloody entertaining pregnancy scare nightmare. Review
The very charming Dungeons and Dragons: Honor Among Thieves is another hit from Game Night directors John Francis Daley and Jonathan Goldstein, who have a lot of fun with the material all the while showing a lot of affection for it. Review
Chad Stahelski’s John Wick: Chapter 4 is, admittedly, quite long and overwhelming, but, throughout the runtime, the film’s direction, writing, stunt work, and acting keep on building and building until they’ve raised the bar to such a height that the film stands tall as one of the best and most intoxicating action films in recent memory. Review
Although Scream VI doesn’t quite live up to 2022’s entry or the first two Craven films in the series, it is still an undeniably entertaining meta-murder-mystery movie. It’s a good sequel, but it isn’t much more than that, in large part because it doesn’t have as much to say as the excellent 2022 legacyquel did. Review
Those who like to devour true crime films whole should find enough to chew on in Boston Strangler to have an exciting evening, but if you like to assess and analyze these films comparatively, you’ll quickly notice just how much it owes to David Fincher’s Zodiac, which it sometimes lifts entire scenes from. Review
This is a well-budgeted and relatively nice-looking sci-fi dinosaur B-movie concept with an excellent actor in the lead role. It is clear as day that it was reworked quite a bit and perhaps even butchered in the editing room, and there are some really questionable choices made here and there, but it is watchable. Review
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