Movie reviews of Filipe Freitas

These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.

Number of movie reviews: 885 / 885

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The film, drowsy in tone and slow in pace, reaches a ridiculous finale after showing a discouraging lack of nerve in the execution. In fact, the movie haunts us like a ballad whose tune you remember because its languor takes your energy away. Review

5.0

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2021-09-27

2021

It took me some time to conclude, especially due to the film’s deliberate pacing, that this is a nuanced, visceral epic tale more than just a relationship drama of striking specificity. One can only confirm that after watching one of the coldest film finales in recent times. Review

8.0

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2021-09-25

2021

Even with the two leads playing a perfect fiddle to one another, one finds some unnecessary repetition. Moreover, the fact that one is able to get the point soon before the film’s ending hampers Divine Love from stepping up. It's a tolerable effort, though, from a filmmaker with potentiality. Review

6.0

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2021-09-24

2021

Eastwood should know his limits by now, and I can only encourage you to stay away from this lamentable misfire cooked with stale ingredients and weak performances in general. Review

3.0

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2021-09-23

2021

With Scanlan delivering a phenomenal performance as the grieving widow, the film makes us think about the submissive role of women in Islamic society in opposition to the freedoms enjoyed by men. Review

8.0

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2021-09-21

2021

Although not unblemished, the film is occasionally quite exciting, not only making me laugh but also delivering a positive message of hope. I dare to say that Estrada found a victorious sense of pride in these youngsters. Their relationships and emotional struggles feel relevant in these socially awkward days. Review

7.0

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2021-09-20

2021

Even failing to scare, this Candyman manages to give the story a contemporary twist that says much about the racial prejudices endured by the African-American community. It deserves credit for that, but horror-wise, the film is more manipulative than unnerving. Review

6.0

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2021-09-16

2021

With a lot of razzle-dazzle and very little soul, Respect, which ends with footage of Aretha performing “(You Make Me Feel Like) A Natural Woman” at the Kennedy Center in 2015, feels incomplete and never lives up to the diva’s life. Review

4.0

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2021-09-15

2021

Heder made the right move by hiring culturally deaf actors but, in the end, CODA succumbs to the artificial sheen that comes in the guise of a feel-good impression. Lamentably, only the humorous moments prevail. Review

4.0

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2021-09-14

2021

With every beat of the story feeling like an intense relapse of forced tension, the film becomes stupefyingly excessive in its last third, making the big Asian stars Tony Leung and Michelle Yeoh seem like puppets. Unfortunately, and despite the charisma of its first Asian lead, this Marvel adventure is less cool than it thinks it is. Review

5.0

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2021-09-13

2021

Mounted with well-developed characters and preserving tension at all times, Bad Tales is a terribly cruel, darkly compelling, sometimes-obscene film that perfectly articulates the toxicity and psychological consequences that result from the severe alienation between parents and children. Technically, the film achieves satisfactory results in the cinematography, editing and art direction departments. Review

7.0

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2021-09-11

2021

Constantly on the move, this Roy Andersson-inspired mosaic (without the eccentricities) found a subtle, almost delicate way to convey happiness, sadness, trauma, conflict, forgiveness, loneliness, social problems, aging, disappointment, frustration, beliefs and hope. It’s a different Christmas turned never-boring cinematic promenade that resulted more satisfactory than what was initially thought. Review

8.0

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2021-09-08

2021

Fumblingly, Lorelei manages to escape predictability, with Doyle allowing everyone their dignity as she goes for an upbeat finale. Malone becomes the heart and soul of the film but the feelings are more intensely felt whenever the kids are involved. Review

6.0

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2021-09-06

2021

Quietly heartbreaking and ponderously heavy, this film seems to haunt itself. It literally depicts the gradual poisoning of a marginalized individual through the toxic environment that surrounds him. Review

6.0

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2021-09-03

2021

Ema

Another positive aspect is the soundtrack by Nicolas Jaar, which fits hand-in-glove in the type of mood envisioned by its creators. Pity that the zaniness of the plot prevented Larraín from succeeding this time. Review

5.0

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2021-09-01

2021

The plot, which McCarthy co-wrote with Thomas Bidegain, Noé Debré and Marcus Hinchey, has its flaws, but even failing - sometimes in critical moments like the ending - it still provides something palpable, mostly thanks to Damon who embodies his character with inherent cheerlessness. In the end, Stillwater proves “life’s brutal” to be realistic. Review

6.0

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2021-08-30

2021

It’s no clever film, plot-wise, and some characters are definitely better developed than others, but I didn’t find the disappointments to be devastating. Anyway, the outrageous avalanche of anarchy and energy is non-stop. Review

7.0

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2021-08-28

2021

Lowery is more interested in mystical quests than in fierce battles here, and his deeply personal on-screen depiction of the tale takes us so deeply into this feverish, supernatural world that we can almost feel its texture. Review

8.0

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2021-08-27

2021

There’s plenty of disturbing aspects in the plot by Ingeborg Topsøe that makes the film compulsively watchable. The performances are strong - not only from Kampp and Knudsen who are at the center, but also from Hove who truly impressed me (it will take me some time to forget the immense emptiness in his look). This uncompromisingly ugly story managed to linger in my mind after its conclusion. Review

7.0

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2021-08-26

2021

Carax’s Annette is blatantly uninspired and I was simply left in the cold of its contrived machination. Review

4.0

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2021-08-23

2021

I wouldn’t bother visiting this 2-star hotel. Review

4.0

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2021-08-21

2021

Screenwriter Natasa Drakulic, who shares a good slice of responsibility in this misfire, forges an unsatisfying conclusion that leaves everything in suspension. What should be agonizingly poignant becomes merely superficial. Review

5.0

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2021-08-20

2021

Although uneven, this is a brave, revelatory film from a smart filmmaker who presents things from the perspective of the executioners, drawing attention to the impact of their acts on themselves and the ones who surround them. Review

7.0

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2021-08-17

2021

Val

As passionate about its subject as the actor was about acting, the film tells Kilmer’s story intimately, with compassion, without never going into unnecessary sentimentality. Yet, this self-portrait of the star is not as powerful as I had imagined, even losing its track a bit by the time that Kilmer’s film Cinema Twain (2019) is mentioned. It’s an OK watching, not a fascinating one. Review

6.0

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2021-08-15

2021

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