These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.
Number of movie reviews: 2074 / 2074
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Despite some classicism in the staging, the film never weakens because the story is truly special. It’s a lusciously gentle journey through a life of a common man, evoking familiar tones while offering its own distinctive touch. Review
The result is an imperfect yet visually and tonally consistent work—where not everything is fixed, but everything feels slightly patched up. Is it fun? Yeah, sort of. But still not especially memorable. Review
While some racing scenes do deliver the adrenaline, the narrative rarely hits top gear, as the script struggles to make its dramatic beats land. This monstrous commercial blockbuster has a vigorous start, ultimately running out of gas and disintegrating into uneven pieces. Review
One of the oddest films I’ve seen lately, April wasn’t a pleasant experience for me, but I do understand its point. I tolerated its radical, open-to-question aesthetics to learn more about the rebelliousness and inner decay of its main character. A shame that its art-house tactics tarnish much of the story’s emotional impact. Review
By the end, it feels like we’ve only skimmed the surface—but Wild Diamond still hits a very specific bullseye. Review
Whatever suspense the film tries to build evaporates almost instantly. What a futile and misguided movie this is! Review
Boyle approaches the material with offbeat flair, making this installment tonally distinct from its predecessors. If you’re going to revisit a dusty premise, you’d better be inventive—and both Boyle and Garland rise to the challenge. Review
Materialists may lose some momentum toward the ending, but remains a finely crafted piece well worth seeking out. Review
Bring Her Back will probably stick in your gut for a little while, and don't be surprised if you walk away feeling hollow inside. This aggressively ferocious horror flick pushes cruelty to the edge, and is certainly not for the faint of heart. Review
Framed by fragmented twists, it doesn’t always land both narratively and comically, but its flashes of darkness bring a welcome novelty to a burlesque depiction of society that questions our times with explosiveness and wild madness. Review
In truth, A Traveler’s Needs feels like an acting exercise stretched to feature length, with the multi-faceted Sang-soo handling direction, screenplay, cinematography, production, editing, and score. Review
Motel Destino is a vicious piece of work from a director unafraid to expose the primal, darker instincts of his characters. Unfortunately, this stylized erotic thriller is undermined by clumsy dialogue and a hastily executed conclusion. Review
When Fall is Coming unfolds in a familiar slow-burn fashion, but it’s a deeply satisfying watch. A film of small moments and subtle gestures, where performances radiate warmth and pain, gradually defining the characters. Review
Bonjour Tristesse ends up as an irredeemably bland, formulaic coming-of-age drama that seldom rises above the absurdity of its own plot twists. Review
The film’s humble nature and the setbacks faced by the protagonist never undercut its uplifting sense of satisfaction or its quiet celebration of romance and self-discovery. What’s perhaps most remarkable about Holy Cow is that it actually works in a quiet, unfussy way. Review
The film’s languid pacing and long, static 16mm shots may stretch its runtime, but Truong clearly trusts in the power of cinema and the viewer’s patience. Review
Even with modest dialogues, he generates a great deal of drama with a fierce kind of courage. This is reinforced by Alexandre Desplat’s oversentimental score. Review
Coogler’s achievement is also technical—the film was shot in two distinct formats—and the vampire parable it weaves feels more timely and relevant than it initially appears. Review
Rankin dares to think outside the box, presenting a visual and narrative approach that defies conventional standards. His movie comes with a hard core of disillusionment but also hope in humanity, and viewers in tune with his offbeat sensibilities will enjoy both the deadpan humor and the bold unconventional choices. Review
Shot with unwavering precision and driven by a chaotic, raw, and primitive force, Warfare remains relentlessly claustrophobic and emotionally gripping from start to finish. Review
Realism and caricature get locked in the same structure, and while the ballsy social commentary still holds up, the film never delivers the full-impact blow we hoped for. Review
As merciless as it is hard-hitting, Ghost Trail offers a searing portrait of political trauma and the tangled drive for retribution. Its moral complexities, coupled with sharp storytelling and Bessa’s outstanding performance, make it compulsively watchable. Review
Blanchett’s reliably committed performance couldn’t redeem the film, though the evocative score by Nick Cave and Warren Ellis reinforces both the emotional and the unfathomable. Review
Bone-dry in tone, Vulcanizadora offers zero warmth, scant compassion, and weird characters. There is something profoundly unsettling about this tale of anguish, as Potrykus probes human vulnerability with a nameless, creeping unease. Review
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