These are all the movies and series that Filipe has reviewed. Read more at: Always Good Movies.
Number of movie reviews: 1972 / 1972
Years
With natural performances and a way of filmmaking that refuses to be standardized, Everyday feels authentic, mixing moments of intensity and pain, with other of tenderness and beauty. Review
Without any shame or complex, Porfirio says a lot about humanity and justice, at the same time that points a finger at the incompetent Colombian state. Review
The savvy director Alex Gibney, made the interviewees show their anger and indignation without exploiting them emotionally. Sufficiently explanatory to show the world the demonic crimes hidden by Catholic Church. Review
It showed constant concerns on giving a frenetic image and impose madness everywhere and in everyone, to the point of becoming disarticulated and, not infrequently, ridicule. Not even suitable for crazies! Review
Everything is surrounded by misery due to the Balkan conflict and actual economic crisis, but Rahima’s love for her brother will give her strength and hope to fight for a decent and honest life. Even if she has to face social class differences, religious prejudices or slanders. Review
Lore is subtle but incisive, proving that no fuss is needed to make a competent film. Its meaningful story, acute images, and immense heart, were enough to make it special. Review
Even employing a primitive approach, it managed to bestow some freshness to an old and recurring tale. Review
It’s A Disaster didn't spark a lot of laughs but let out some amusing energy with its screwball tone and laudable finale. Review
Soderbergh expressed his versatility through designed camera plans and magnificent close-ups, highlighting the coldness of the characters, but never neglecting the gripping atmosphere. Reliable side effects are guaranteed from watching this one. Review
It was a shame that the movie hadn’t totally assumed the weirdness suggested in some moments, opting instead for a more formulaic approach. Positive aspects: the performances, and Robert Duvall's magnificent trip on LSD. Recommended with reservations. Review
Unstable and unemotional, Dormant Beaut" counts with good performances but doesn't add anything relevant to the matters in question. Review
A strange, dazzling light was used within a simple direction, in a respectable film where the ideas reign in detriment of technical details. Review
Joyful moments aren’t abundant in a depressing film that carries ‘I can cope with my life’ as purpose. Review
I cannot say this is a bad movie; its story is just not thorough enough to be remembered in its genre. Still, this robotic-crime-comedy should please those who have a taste for low-key crime films with a hint of futurism. Review
The idea behind Warm Bodies has to be seen purely as amusing or comical, otherwise it would look ridicule. Although this film had the potential to be better, Jonathan Levine maintains his work interesting after the successful 50/50. Review
Jessica Chastain presented charisma while the little girl Lilly, played by the young Isabelle Nélisse, was the scariest in her look and behavior. A rather uneven paranormal tale. Review
Rhino Season is tragic and evinces a deep sadness and pain... a tough reality for all the oppressed Iranian artists. Review
Alternating among humor, seriousness and some humiliation, Modest Reception simply shows us how unpredictably people behave when confronted with money. A radical experience with an unclear conclusion. Review
The Wise Kids chose a graceful approach to connect sexuality and faith issues in a sincere and intelligent way. Review
Stand Up Guys will not leave its mark but is perfectly appropriate for a relaxed watching, not requiring attention to details or complex analysis about its simple story. Review
Among joys, sorrows and some nostalgia, the film provided us with so much information that sometimes was difficult to absorb it completely. Yet, it never became boring in its quirky way and hasty rhythm. Review
Promised Land is torpid in its development and despite its good intentions, turned out completely unemotional. Van Sant needed some kind of trick to win us over, just as the gas company did in the film. Review
We can’t say this is a thrilling docudrama, but spreads charm with some tasteful details. Perhaps it would have benefited if shot on black-and-white. Review
Some good gags and body fights were not enough to make this film a gratifying choice. Review
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