Dit zijn alle films en series die Hope heeft gerecenseerd. Lees meer op: Maddwolf.
Aantal filmrecensies: 970 / 970
Jaren
What they create together is harrowing, but it’s also a brilliant piece of filmmaking that needs to be seen. Recensie
Driven by a smart script, excellent supporting work (both Amy Rutledge and Kathleen Brady are wonderful), and an unerring lead turn, Rent-A-Pal delivers an alarming kind of origin story. Recensie
The way the story resolves itself is a puzzle, and not an especially satisfying one. With Entwined, Nikolakakis boasts some impressive storytelling instincts, but there’s still room for growth. Recensie
The fight choreography is wonderous, as are the gorgeous vistas. Recensie
The film—almost exclusively talking head footage of interviews with the seven refugees—remains strangely captivating throughout. Because of the music, the dance, the poetry and the candor, a deeply human and powerfully universal story emerges. Recensie
Immortal is essentially an anthology of short films, and in fact, the pieces do not intersect, nor do they clarify much. Instead, they offer four slices of life—well, slices of not death—and an intriguing look at what death means to us. Recensie
New Mutants is a film trying too hard to cash in on proven youth market formulas, but the concoction fizzles. It doesn’t really work as an angsty romance, misses the mark as a horror movie and never for a minute feels like a superhero flick. Recensie
This David Copperfield has its own lunatic charm to burn. Gone are the laugh out loud moments as well as the bitter aftertaste of Iannucci’s best work, but in their place is a lovely time. Recensie
The horror is light, the comedy raucous, the fun explosive. Get Duked! may not change you, but it will brighten your mood. Recensie
There’s a lonesome transience to the story, a feeling of impermanence that’s frightening, sad and just slightly freeing. Lingua Franca tells a lovely, sad story that’s very much worth hearing. Recensie
There are about a dozen too many nightmare sequences and the end is simply nonsense, but for horror fans, it’s not a bad time. Recensie
By enlisting a female character to behave so erratically in service of a weak story, Pretorious seems to be intentionally pointing out the idiotic leaps in logic audiences are willing to make. Recensie
Does the leap from Salem to Western ghost town make sense? It does not. But for a witchtastic Western, is it fun? Edgar Allen Poe couldn’t have made it any more fun. Recensie
It’s a mainly competent but frequently lazy flick with gore to spare and some fun animations, but it could have been a lot more. Recensie
His film plays with your preconceptions but never substitutes clever gimmick for story. The result is a sly, entirely satisfying journey into love, loneliness and how little we understand each other. Recensie
Bechelder’s footage never glamorizes its leads. Their candor, idealism and even their missteps and shortcomings as politicians are on display, giving the film a transparency and authenticity. Recensie
Part Venom, part Alien and all manner of Russian, the film pulls in images and ideas that feel familiar—sometimes too familiar—but the execution maintains your interest. Recensie
The film is absolutely a mash note to rock’s most rebellious rag. Recensie
The circular logic isn’t as tight as Young may think it is, but again, Limbo provides serviceable fun. No scares and not a ton of laughs—indeed, where Young is hoping to land on the horror-comedy spectrum is a bit muddy—but thanks mainly to a game cast, Limbo is still a pretty good time. Recensie
Out Stealing Horses can’t quite make the current-day footage ache or resonate quite so clearly. The events adult Trond deals with feel artificial, a forced structure. But that doesn’t rob the film of its magic. Recensie
Though the execution lacks polish, Spinster makes up for most of that with Peretti’s cynical charm and its own quiet determination to subvert its chosen genre. Recensie
You Never Had It will not entertain everyone equally, but it will thrill a handful of people and you know who you are. Recensie
From beginning to end, the film transmits a quiet, creeping dread. Seimetz can’t entirely capitalize on the intoxicating world she’s created, but hers is a unique voice and beguiling vision. Recensie
Bustamante’s film is a slow boil as interested in those who’ve tacitly accepted evil as it is in those who’ve committed it. What goes unsaid weighs as heavily as what happens in front of us. Impressively, this is also the first horror film in decades to make truly effective use of a dream sequence. Recensie
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