Movie reviews of Hope Madden

Cowan humanizes the tale of strife by dropping us into the day-to-day of three different women. Their struggles, joys and heartaches breathe life into statistics that could otherwise overwhelm, their resilience and their frailty speak powerfully to the human condition. Review

A believable, funny edge that the game ensemble takes advantage of. Review

Theo’s internal conflict is weakly depicted, his arc equally anemic, and for that reason, his epiphany feels unearned. The actor does develop a lovely onscreen relationship with Essex, although she’s asked to do little more than look pensive. Review

For its subdued, humble approach, 7500 is a white savior film about an American man protecting those in his care from scary brown people. Review

Scare Package sports an excellent use of budget for a fun, campy set of horror-loving films—the kind of short movies that lovingly mock the genre. Most of the episodes offer a knowing lampooning, and each ends abruptly enough to avoid wearing out its welcome. Review

As is always the case with Lee’s films, even the most overtly political, deeply felt performances give the message meaning. The entire cast is excellent, but Delroy Lindo is transcendent. Review

But FTKNWTD is more interested in how faith does not have to be tainted by this noxious hate. It’s a bold vision for a documentary on Christianity and LGBTQ suffering. Review

Between Hunter’s deliberate framing and set composition and Nighy’s droll but endearing presence, the film cannot help but charm. But the delightful and eye-catching style belies a grieving heart. Review

It may be Kim’s turn and the transformation of his character that elevate Yourself and Yours above quirky love story to truly solid, insightful art. His performance is quite beautiful, as is the film. Review

Even with its handful of missteps, The Deeper You Dig clearly represents a group of filmmaking talent to keep an eye on. Review

The result is dark and unseemly, appropriately angry and gorgeously told—fitting tribute to the author. Review

The film is bloody, angry and, even for its fairly formulaic premise, unpredictable. Review

It too often feels predictable when its every breath is meant to be just the opposite. Still, there’s more than enough carnage and madness packed into this 90 minutes to keep you gawking. Review

Because of their meandering focus, Scream, Queen feels longer than it needs to be. Lucky for the filmmakers, every one of those topics makes for an intriguing investigation, and watching Patton triumphantly recreate his iconic (and likely career-ending) dance scene is sheer joy. Review

Medak’s confessional pity party delivers a compelling look at the wrong side of filmmaking as it offers yet another take on Sellers—his genius as well as his demons. Review

The emotional grounding for the film never feels forced, which allows the Lucky Grandma to run its course without the predictable sentimentality that crushes most “look how funny this old person is” films. Review

Medel’s performance, aided by her enormous eyes, is deceptively compelling. Review

Monstrum is no masterpiece—go in expecting The Host and come out disappointed. But for creature feature fun and just a touch of flatulence humor, Monstrum delivers. Review

Thankfully, Hardy’s there to command your attention. No doubt some viewers will be disappointed—those who tuned in to see Hardy play a badass at the top of his game. My guess is that the reason one of the finest actors working today was drawn to Capone was the opportunity to do something just this unexpected. Review

Moran’s audacious humor sometimes feels muted, and that is an outright shame. Nonetheless, Feldstein’s a 1000 watt bulb who makes even the most ordinary scene glow happily. There is also something fearless in a film that decides it is up to every girl to build and rebuild herself in her own image. Review

The story can be too slow and too scattered at times. But it’s impossible to not keep watching Balsam as she moves from self-assured to train wreck to something in-between. Review

It’s no We Need to Talk about Kevin (the high water mark for the category), but what is? It is an unsettling way to worry about what we pass on to our kids. Review

Aside from a couple of utterly priceless Dupieux flourishes, it’s Dujardin that sells this film. He’s deeply committed to the wildly wrong-headed internal logic of the film and the character. Review

There’s far too much borrowed and rehashed between Acts 1 and 3 for it to stand the test of time alone, but The Wretched delivers enough to entertain and to leave you interested in what’s next for the Pierce brothers. Review