These are all the movies and series that Hope has reviewed. Read more at: Maddwolf.
Number of movie reviews: 1012 / 1012
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Thankfully, Hardy’s there to command your attention. No doubt some viewers will be disappointed—those who tuned in to see Hardy play a badass at the top of his game. My guess is that the reason one of the finest actors working today was drawn to Capone was the opportunity to do something just this unexpected. Review
Moran’s audacious humor sometimes feels muted, and that is an outright shame. Nonetheless, Feldstein’s a 1000 watt bulb who makes even the most ordinary scene glow happily. There is also something fearless in a film that decides it is up to every girl to build and rebuild herself in her own image. Review
The story can be too slow and too scattered at times. But it’s impossible to not keep watching Balsam as she moves from self-assured to train wreck to something in-between. Review
It’s no We Need to Talk about Kevin (the high water mark for the category), but what is? It is an unsettling way to worry about what we pass on to our kids. Review
Aside from a couple of utterly priceless Dupieux flourishes, it’s Dujardin that sells this film. He’s deeply committed to the wildly wrong-headed internal logic of the film and the character. Review
There’s far too much borrowed and rehashed between Acts 1 and 3 for it to stand the test of time alone, but The Wretched delivers enough to entertain and to leave you interested in what’s next for the Pierce brothers. Review
Performances are not always exceptional, and you would not call this a feminist effort, but the underlying wry, weary wit separates the film from anything else like it. Review
Still, there’s low-rent garbage fun to be had with this. Everything about it could have been better, but like most guilty pleasures, it appeals in a sugar high kind of way. Review
With a spare script, visual wonder and energy to burn, Why Don’t You Just Die! promises to snatch your attention like a duffle bag of cash and hang on until exactly enough blood is spilled. Review
Moretti's instincts as a storyteller supersede, even complement, his disregard for the standard practice of documentary. The result is a slice of global, political, human life that bristles with passion and indignation. Review
Popov’s instinct for visual storytelling is again the most compelling argument for the film. Review
The film is equally fascinating whether it’s digging into grand ideas or sitting in a sidewalk lawn chair chit chatting about the nastier, day-to-day consequences of gentrification. Review
There’s just not a lot to see here. Pretty girls. Terrible music. Worse clothes. Religious zealots. Backwards thinking. Review
It’s sweet and charming in a low key, comfortable way, but it is hardly a thrill ride. Review
Szumowska strings together a dreamlike series of visions that horrify on a primal level, the imagery giving the film the feel of gruesome poetry more than narrative. Review
Though the strength of the cultural context sometimes undercuts the spookiness of the ghost story being told, Under the Shadow builds a strong case for itself as a horror film. Review
Not only is that an unusual topic for horror, it’s delivered with the kind of touching restraint that’s almost inconceivable in this genre. Review
Run-ins with other survivors, both the good and the bad kind, are played in Carriers with a real mixture of terror and sympathy. It’s one of the many reasons that the film delivers a harder emotional punch than you might be expecting. Review
The Hunt is a darkly comedic, socially savvy, equal opportunity skewering and it is a blast. Review
Rather than a reimagining of Peter Pan, Wendy feels like a misguided reworking of Beasts of the Southern Wild, which did not need tampering of any kind. Review
The film’s affable absurdity suits Forte and Ward makes a sweetly ideal foil for Higgins. Extra Ordinary casts a silly spell that leaves you smiling. Review
For raw, sloppy honesty, you’re not likely to find a better candidate. Review
The filmmaker’s vision and imagery come full circle with a bold conclusion worthy of Bennett’s performance. Review
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