These are all the movies and series that Hope has reviewed. Read more at: Maddwolf.
Number of movie reviews: 972 / 972
Years
Though he does not shy away from showing human carnage, there is not a fresh or compelling set piece in the film. Review
The problem with the film is the problem with the heist itself: it was fun while it lasted, but was there really a purpose? Review
It does have style, though, and something relevant to say. Review
Together, cast and director generate scares by relying less on imagination and more on your familiarity with the genre itself. Review
Pierce creates a moody tension inside the walls, exacerbated by the explosion of rage and violence outside. Review
A pretty film and a nice story, but never finds the depth to break your heart. Review
Fanning’s listless performance casts an awfully prim shadow. She’s surrounded by perfectly reasonable if somewhat anemic turns by her supporting cast. Review
The conflict, duality and self-discovery in Beast cannot help but draw you in, asking you about your own inner beast. Review
Whannell freshens up the technophobe dystopian narrative with a few fresh ideas, a silly streak and serious violence. Review
Binoche’s generous performance as the self-sabotaging Isabelle embraces the insecurities, optimism and neediness that color the character’s quest. Review
It pretends a lot of things, sometimes very colorfully and often entertainingly, but without a raucous atonal tune to push it forward... Review
Because of the way Zhao plays with light, uses music, and fills the screen with the desolate beauty of the American plains, the film qualifies as a sleepy epic. Review
Is very funny, often quite clever, and sometimes wrong-minded in the best way. Review
The terror here is far less paranormal than existential, and clever clues combine with crisp writing to create a full picture that’s more satisfying than it should probably be. Review
Between Fargeat’s wild aesthetic, four very solid performances, and thoughtful yet visceral storytelling, the film feels break-neck, terrifying and entirely satisfying. Review
Too bad McTeigue has no idea how to exploit any of the tenser elements Engle gives him... Review
The film isn’t awful, but it isn’t good. Mainly, there is just nothing new to see here. Review
Perhaps most damaging is the utter absence of chemistry between the leads, making every inch toward romance feel unnatural and, honestly, almost creepy. Review
Their looping timelines provide fertile ground for clever turns that fans of the filmmakers will find delightful, but the uninitiated will appreciate as well. Review
Schumer does what she can with this superficial, blandly rote script. Review
Performances are bland, kills lack inspiration, there aren’t even enough of the prerequisite jump scares... Review
At its heart lies a sweet sentiment about family, but sentiment does not get in the way of scares. Review
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